Rhetoric, drama and truth in Plato's symposium
International Journal of the Platonic Tradition 2 (1):28-40 (2008)
| Abstract | This paper draws attention to the Symposium's concern with epideictic rhetoric. It argues that in the Symposium, as in the Gorgias and the Phaedrus, a contrast is drawn between true and false rhetoric. The paper also discusses the dialogue's relationship to drama. Whereas both epideictic rhetoric and drama were directed to a mass audience, the speeches in the Symposium are delivered to a small, select group. The discussion focuses on the style of the speeches delivered by Aristophanes, Agathon, Socrates and Alcibiades. Aristophanes speaks in the simple style of comedy, fable and folktale, also used by Protagoras in Plato's Protagoras. Agathon speaks in the high-flown style of Gorgias. Socrates' speech is a miniature Platonic dialogue, and both Alcibiades' speech and Socrates' speech may be compared to satyr play. The paper concludes with a suggestion that the claim at 223D, that the same person should be able to write both comedy and tragedy, refers to style as well as subject-matter. | |||||||||
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Rachel Barney (2010). Gorgias' Defense: Plato and His Opponents on Rhetoric and the Good. Southern Journal of Philosophy 48 (1):95-121.
Plato (2008). Symposium. OUP Oxford.
John M. Armstrong (2009). Review of Frisbee C. C. Sheffield, Plato’s Symposium: The Ethics of Desire (Oxford University Press, 2006). [REVIEW] Ancient Philosophy 29:208–212.
Robert Metcalf (2009). The Trial of Socrates in Plato's Symposium. Epoché 14 (1):39-55.
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Gary Alan Scott (2008). Erotic Wisdom: Philosophy and Intermediacy in Plato's Symposium. State University of New York Press.
Mary P. Nichols (2009). Socrates on Friendship and Community: Reflections on Plato's Symposium, Phaedrus, and Lysis. Cambridge University Press.
Jacob Howland (2007). Plato's Dionysian Music?: A Reading of the Symposium. Epoché 12 (1):17-47.
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