David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Hypatia 5 (2):137 - 148 (1990)
This paper considers some problems with text-centered psychoanalytic and semiotic approaches to film that have dominated feminist film criticism, and develops an alternative contextual approach. I claim that a contextual approach should explore the interaction of film texts with viewers' culturally formed sensibilities and should attempt to render visible the plurality of meaning in art. I argue that the latter approach will allow us to see the virtues of some classical Hollywood films that the former approach has overlooked, and I demonstrate this thesis with an analysis of the film Christopher Strong.
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References found in this work BETA
Laura Mulvey (2010). Visual Pleasure and Narrative Cinema. In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.
Naomi Scheman (1988). Missing Mothers/Desiring Daughters: Framing the Sight of Women. Critical Inquiry 15 (1):62.
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