Online research in philosophy

In discussions of perception and its relation to knowledge, it is common to distinguish what one comes to believe on the basis of perception from the distinctively perceptual basis of one's belief. The distinction can be drawn in terms of propositional contents: there are the contents that a perceiver comes to believe on the basis of her perception, on the one hand; and there are the contents properly attributed to perception itself, on the other. Consider the content.

The Topic: Much work has been done on the nature of perceptual representation. Familiar debates surround questions about the content of perceptual experience, such as: Is the content wide or narrow? Is the content conceptual or non-conceptual? What is the relation between content and phenomenal character? However, a fundamental question that has not received a great deal of attention is what are the admissible contents of perceptual experience? Equivalently, what contents do perceptual experiences have? Or, which objects and properties are represented in perceptual experience?

I provide an argument from the best explanation for the claim that experiences have contents. In particular, I argue that a common factor account of experience in terms of content provides the best explanation of the fact that both veridical and non-veridical experience can ground the capacity for thought, of indeterminate and impossible experiences, and of other features of experience.

In this paper, I argue that certain perceptual relations are represented in visual experience.

Machine generated contents note: Introduction (Katherine Hawley, University of St. Andrews and Fiona Macpherson, University of Glasgow). -- 1. Perception And The Reach Of Phenomenal Content (Tim Bayne, University of Oxford). -- 2. Seeing Causings And Hearing Gestures (Steven Butterfill, University of Warwick). -- 3. Experience And Content (Alex Byrne, Massachusetts Institute of Technology). -- 4. Is Perception A Propositional Attitude? (Tim Crane, University College London). -- 5. Conscious Reference (Alva Noë, University of California, Berkeley). -- 6. What Are The Contents Of Experiences? (Adam Pautz, University of Texas at Austin). -- 7. Aspect-Switching And Visual Phenomenal Character (Richard Price, University of Oxford). -- 8. The Visual Experience Of Causation (Susanna Siegel, Harvard University). -- 9. The Admissible Contents Of Visual Experience (Michael Tye, University of Texas at Austin). -- Index.

This paper examines the contents of perceptual experience, and focuses in particular on the relation between the representational aspects of an experience and its phenomenal character. It is argued that the Critical Realist two-component analysis of experience, advocated by Wilfrid Sellars, is preferable to the Intentionalist view. Experiences have different kinds of representational contents: both informational and intentional. An understanding of the essential navigational role of perception provides a principled way of explaining the nature of such representational contents. Experiences also have a distinct phenomenal content, or character, which is not determined by representational content.

I offer a formulation of the claim that experiences have contents.I also suggest a new method for determining what the contents of our experiences are, which can be applied to the issue of whether high-level properties such as being a tomato enter into the content of experience.

This paper defends the Content View: the thesis that all visual experiences have contents.

My purpose is to take a close look at the nature of visual content. I discuss the view that visual experiences have only existential contents, the view that visual experiences have either singular or gappy contents, and the view that visual experiences have multiple contents. I also consider a proposal about visual content inspired by Kaplan's well known theory of indexicals. I draw out some consequences of my discussion for the thesis of intentionalism with respect to the phenomenal character of visual experience.

In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of ...