Super-expressive voices: Music to my ears?
Behavioral and Brain Sciences 31 (5):596-597 (2008)
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Ernst Bloch (1985). Essays on the Philosophy of Music. Cambridge University Press.
Philippe Schlenker (2010). Super Liars. Review of Symbolic Logic 3 (3):374-414.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Robert J. Yanal (2006). Hanslick's Third Thesis. British Journal of Aesthetics 46 (3):259-266.
Aaron Ridley (2007). Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Krzysztof Guczalski (2005). Expressive Meaning in Music: Generality Versus Particularity. British Journal of Aesthetics 45 (4):342-367.
Harris M. Berger (2009). Stance: Ideas About Emotion, Style, and Meaning for the Study of Expressive Culture. Wesleyan University Press.
Vincent Bergeron & Dominic Mciver Lopes (2009). Hearing and Seeing Musical Expression. Philosophy and Phenomenological Research 78 (1):1-16.
R. A. Sharpe (2000). Music and Humanism: An Essay in the Aesthetics of Music. Oxford University Press.
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