Merleau-ponty on the concept of style
Man and World 14 (2):153-163 (1981)
| Abstract | This essay traces the development of the concept of style in merleau- ponty's thought as both an aesthetic and an ontological category. the importance of this concept is that what merleau-ponty first noticed as the signifying potential of style in painting develops into a general category descriptive of a more comprehensive aspect of our being-in-the-world. style is crucial for merleau-ponty's thought since it provides a way of describing the foundational field of meaning that perception discloses, and also of characterizing the nature of existential coherence under the conditions of finitude. | |||||||||
| Keywords | Aesthetics style | |||||||||
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Douglas Low (1992). The Continuity Between Merleau-Ponty's Early and Late Philosophy of Language. Journal of Philosophical Research 17:287-311.
Shlomit Tamari (2011). How Merleau-Ponty Can Provide a Philosophical Foundation for Vandana Shiva's Views on Biodiversity. Comparative and Continental Philosophy 2 (2):275-289.
Maurice Merleau-Ponty (1993). The Merleau-Ponty Aesthetics Reader: Philosophy and Painting. Northwestern University Press.
Mauro Carbone (2004). The Thinking of the Sensible: Merleau-Ponty's a-Philosophy. Northwestern University Press.
Sean D. Kelly (2005). Seeing Things in Merleau-Ponty. In C. Tarman (ed.), The Cambridge Companion to Merleau-Ponty. Cambridge.
M. C. Dillon (1971). Gestalt Theory and Merleau-Ponty's Concept of Intentionality. Man and World 4 (4):436-459.
Anthony J. Steinbock (1987). Merleau-Ponty's Concept of Depth. Philosophy Today 31:336-351.
David Johnson (2009). Merleau-Ponty and the Other World of Painting: A Response. Journal of the British Society for Phenomenology 40 (1):89-97.
David Morris (2008). Body. In Rosalyn Diprose & Jack Reynolds (eds.), Merleau-ponty: Key Concepts. Acumen Publishing.
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