Crossing lovers: Luce Irigaray's Elemental Passions
Hypatia 15 (3):92-112 (2000)
| Abstract | : Luce Irigaray's Elemental Passions could be read as a response to Merleau-Ponty's article "The Intertwining--The Chiasm" in The Visible and the Invisible. Like Merleau-Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau-Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the "more than one" and encoded as a historically contingent gendered conflict | |||||||||
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Judith Still (2010). Hospitality and Sexual Difference: Remembering Homer with Luce Irigaray. In Elena Tzelepis & Athena Athanasiou (eds.), Rewriting Difference: Luce Irigaray and "the Greeks". State University of New York Press.
Luce Irigaray (2004). To Paint the Invisible. Continental Philosophy Review 37 (4):389-405.
Lynda Haas (1993). Review: Of Waters and Women: The Philosophy of Luce Irigaray. [REVIEW] Hypatia 8 (4):150 - 159.
Kate Ince (1996). Questions to Luce Irigaray. Hypatia 11 (2):122 - 140.
Penelope Deutscher (2000). Love Discourses, Sexed Discourses: Luce Irigaray's Être Deux. Continental Philosophy Review 33 (2):113-131.
Gayle Salamon (2010). Sameness, Alterity, Flesh: Luce Irigaray and the Place of Sexual Undecidability. In Elena Tzelepis & Athena Athanasiou (eds.), Rewriting Difference: Luce Irigaray and "the Greeks". State University of New York Press.
Elizabeth Hirsh, Gary A. Olson & Gaëton Brulotte (1995). "Je-Luce Irigaray": A Meeting with Luce Irigaray. Hypatia 10 (2):93 - 114.
Luce Irigaray (1999). The Forgetting of Air in Martin Heidegger. University of Texas Press.
Susan Kozel (1996). The Diabolical Strategy of Mimesis: Luce Irigaray's Reading of Maurice Merleau-Ponty. Hypatia 11 (3):114-129.
Cecilia Sjöholm (2000). Crossing Lovers: Luce Irigaray's Elemental Passions. Hypatia 15 (3):92 - 112.
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