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Aesthetic preference and syntactic prototypicality in music: 'Tis the gift to be simple
Cognition 34 (3):279-298 (1990)
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Citations of this work
The artful mind meets art history: Toward a psycho-historical framework for the science of art appreciation.Nicolas J. Bullot & Rolf Reber - 2013 - Behavioral and Brain Sciences 36 (2):123-137.
Learning to like it: Aesthetic perception of bodies, movements and choreographic structure.Guido Orgs, Nobuhiro Hagura & Patrick Haggard - 2013 - Consciousness and Cognition 22 (2):603-612.
Art expertise modulates the emotional response to modern art, especially abstract: an ERP investigation.Jane E. Else, Jason Ellis & Elizabeth Orme - 2015 - Frontiers in Human Neuroscience 9.
Learning Harmony: The Role of Serial Statistics.Erin McMullen Jonaitis & Jenny R. Saffran - 2009 - Cognitive Science 33 (5):951-968.
Inferring Master Painters' Esthetic Biases from the Statistics of Portraits.Hassan Aleem, Ivan Correa-Herran & Norberto M. Grzywacz - 2017 - Frontiers in Human Neuroscience 11.
References found in this work
Nonanalytic concept formation and memory for instances.Lee R. Brooks - 1978 - In Eleanor Rosch & Barbara Lloyd (eds.), Cognition and Categorization. Lawrence Elbaum Associates. pp. 3--170.
Attention, organization, and consciousness.Julian Hochberg - 1970 - In D. Mostofsky (ed.), Attention: Contemporary Theory and Analysis. Appleton-Century-Crofts. pp. 99--124.
Scale and contour: Two components of a theory of memory for melodies.W. Jay Dowling - 1978 - Psychological Review 85 (4):341-354.
Abstraction of visual patterns.Jeffery J. Franks & John D. Bransford - 1971 - Journal of Experimental Psychology 90 (1):65.
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