David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
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Philosophy and Phenomenological Research 41 (1/2):93-105 (1980)
For Meinong, familiarly, fictional entities are not created, but rather merely discovered (or picked out) from the inexhaustible realm of Aussersein (beyond being and non-being). The phenomenologist Roman Ingarden, in contrast, offers in his Literary Work of Art of 1931 a constructive ontology of fiction, which views fictional objects as entities which are created by the acts of an author (as laws, for example, are created by acts of parliament). We outline the logic of fiction which is implied by Ingarden’s approach, showing how it distinguishes the properties possessed by fictional objects (for instance of having been created by such and such an author in such and such a work) from characteristics (for instance of smoking a pipe, of living in Baker Street) which are merely associated with such objects.
|Keywords||logic of fiction constructivism Roman Ingarden social construction|
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Łukasz Kosowski (2008). Noema in the Light of Contradiction, Conflict, and Nonsense: The Noema as Possibly Thinkable Content. Husserl Studies 24 (3):243-259.
Jacek Juliusz Jadacki (1996). Alexius Meinong and Polish Philosophy. Axiomathes 7 (1-2):241-266.
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