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In Spatial Information Theory (2001)
| Abstract | The Renaissance architect, moral philosopher, cryptographer, mathematician, Papal adviser, painter, city planner and land surveyor Leon Battista Alberti provided the theoretical foundations of modern perspective geometry. Alberti’s work on perspective exerted a powerful influence on painters of the stature of Albrecht Dürer, Leonardo da Vinci and Piero della Francesca. But his Della pittura of 1435–36 contains also a hitherto unrecognized ontology of pictorial projection. We sketch this ontology, and show how it can be generalized to apply to representative devices in general, including maps and spatial and non-spatial databases. | |||||||||
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R. Wittkower & B. A. R. Carter (1953). The Perspective of Piero Della Francesca's 'Flagellation'. Journal of the Warburg and Courtauld Institutes 16 (3/4):292-302.
Michaela Boenke (2010). Leon Battista Alberti (1404-1472) : Philosophy of Private and Public Life and of Art. In Paul Richard Blum (ed.), Philosophers of the Renaissance. Catholic University of America Press.
Pierre Grenon & Barry Smith (2004). SNAP and SPAN: Towards Dynamic Spatial Ontology. Spatial Cognition and Computation 4 (1):69–103.
E. H. Gombrich (1957). A Classical Topos in the Introduction to Alberti's Della Pittura. Journal of the Warburg and Courtauld Institutes 20 (1/2):173.
Emma Barelli (1979). The ‘Sister Arts’ in Alberti's ‘Della Pittura’. British Journal of Aesthetics 19 (3):251-262.
S. Cracolici (2008). Serene Greed of the Eye: Leon Battista Alberti and the Philosophical Foundations of Renaissance Architectural Theory. British Journal of Aesthetics 48 (2):240-243.
Roger Paden (2001). Values and Planning: The Argument From Renaissance Utopianism. Ethics, Place and Environment 4 (1):5 – 30.
Barry Smith, Jose L. V. Mejino Jr, Stefan Schulz, Anand Kumar & Cornelius Rosse (2005). Anatomical Information Science. In Spatial Information Theory. Springer.
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