Online research in philosophy

A letter from Martin Heidegger.--On the way to being; reflecting on conversations with Martin Heidegger, by Z. Adamczewski.--Heidegger's view and evaluation of nature and natural science, by E. G. Ballard.--Truth as art: an interpretation of Heidegger's Sein und Zeit (sec. 44) and Der Ursprung des Kunstwerkes, by C. D. Keyes.--The language of the event: the event of language, by T. Kisiel.--Heidegger: the problem of the thing, by T. Langan.--The late Heidegger's omission of the ontic-ontological structure of Dasein, by R. Powell.--Towards the movement of reversal: science, technology, and the language of homecoming, by J. Sallis.--Prolegomena to "Time and being": truth and time, by A. Schuwer.--Cosmos, nature, and man and the foundations of psychiatry, by A.-T. Tymieniecka.--Heidegger and the existential a priori, by J. Wild.

For Heidegger, phenomenological investigation is carried out by formal indication, the name given to the methodical approach he assumes in Being and Time. This paper attempts to draw attention to the nature of formal indication in light of the fact that it has been largely lost upon American scholarship (mainly due to its inconsistent translation). The roots of the concept of formal indication are shown in two ways. First, its thematic treatment in Heidegger's 1921/22 Winter Semester course, Phenomenological Investigations into Aristotle, is examined to make clear what Heidegger silently assumes in Being and Time. Second, Heidegger's adaptation of Husserl's use of the term, indication, is outlined to clarify the concept even more. The enhanced understanding of formal indication granted by these two points leads to a better grasp of Heidegger's concept of truth, for formal indication and truth are mutually implied for Heidegger. Finally, it is suggested that the reader of Being and Time, on the basis of what formal indication demands, approach the work not as a doctrine to be learned but as a task always requiring further completion.

This paper addresses a hitherto unexamined issue in the work of Michel Henry, namely, his critical interpretation of Martin Heidegger’s analysis of “appearing” and “speaking.” Throughout his distinguished career, Henry went to great philosophical lengths to distance himself from traditional phenomenology and from the work of Heidegger. However, for the most part, Henry’s critical reading of Heidegger has received little attention from phenomenologists and even that has been cursory. Hence, the central aim of this paper is twofold: (1) to show that Henry’s critique of the “appearing” and “speaking” of the world remains unanswered; and (2) to show that a proper reading of Heidegger throws light on the shortcomings of Henry’s own project. Hence, because the second objective follows necessarily from having achieved the first, this paper submits that what is first needed is a re-assessment of Henry’s critique in light of a more accurate understanding of the depth-dimension of “appearing” and “speaking,” which is, I argue, evinced in the analysis of the voice of conscience in Being and Time. The paper subsequentlyoffers what I see as a more appropriate interpretation of the call of conscience in terms of a radicalised “transcendence in immanence” which is not reducible to the mere exteriority of inner-worldly beings. The paper concludes by arguing that the voice of conscience underscores the shortfalls of Henry’s critique of the “appearing” and “speaking” of the world in Heidegger.

The following thesis explores the notion of truth as developed in the work of Martin Heidegger and Walter Benjamin. Contrary to the position adopted by many commentators, who seek to drive a wedge between Heidegger's unorthodox phenomenology and the resolutely non -phenomenological Benjamin, I shall want to show how both begin with a rigorously Husserlian conception of truth as an intuition of essence in order, finally, to deviate from it. I argue that, for neither one, can truth be merely one problem or issue taken up by a thinking secure in itself. Rather, from its most classical determination in, for example, the Metaphysics as έπιστήμη της άληθείας, the way in which truth has been determined has itself determined the very project of philosophy. Yet whilst the trajectory of both Heidegger and Benjamin's work can thus be determined in large measure by the question of truth, both are also concerned to re-orient that question in a direction that renders problematic Aristotle's implicit connection of truth to knowledge and knowledge to intuition and presence. I argue that their respective challenges to the location of truth in the act of knowing -a challenge made each time by way of an analytical regression from a propositional understanding of truth (Satzwahrheit) to intuitive truth (Anschauungs-wahrheit) to, finally, its more original character as disclosedness (Erschlossenheit) - remain thoroughly phenomenological before showing how it is in the work of art, and in tragedy in particular, that each one finds the resources for a still more radical understanding of truth. Not in the cognitivist sense that art makes truth claims about the world, but in the sense that it is with the work of art that the historical act of disclosure and world -constitution that Benjamin and Heidegger call truth is most emphatically made.

This major new study of Heidegger is the first to examine in detail the concept of existential truth that Heidegger developed in the 1920s. Daniel Dahlstrom offers a critical focus on the genesis, nature, and viability of Heidegger's radical reconceptualisation. The book has several distinctive and innovative features. First, it is the only study that attempts to understand the logical dimension of Heidegger's thought in its historical context. Second, no other book-length treatment explores the breadth and depth of Heidegger's confrontation with Husserl, his erstwhile mentor. Third, the book demonstrates that Heidegger's deconstruction of Western thinking occurs on three interconnected fronts: truth, being, and time. Dealing with a crucial aspect of the philosophy of one of the great thinkers of the twentieth century, this book will be important to all scholars and students of Heidegger, be they in philosophy, theology, or literary studies.

Machine generated contents note: Part I. Truth and Disclosure: 1. Unconcealment; 2. The conditions of truth in Heidegger and Davidson; 3. On the 'existential positivity of our ability to be deceived'; 4. Heidegger on Plato, truth, and unconcealment: the 1931-32 lecture on The Essence of Truth; Part II. Language: 5. Social constraints on conversational content: Heidegger on Rede and Gerede; 6. Conversation, language, saying and showing; 7. The revealed word and world disclosure: Heidegger and Pascal on the phenomenology of religious faith; Part III. Historical Worlds: 8. Philosophers, thinkers, and Heidegger's place in the history of being; 9. Between the earth and the sky: Heidegger on life after the death of God; 10. Nietzsche and the metaphysics of truth.

This essay juxtaposes Duns Scotus’s treatment of the nature of truth with the doctrine concerning truth developed by Heidegger in Being and Time. Both Scotus and Heidegger are concerned inter alia with the same phenomenon: truth as our apprehension of entities. But Scotus speaks of the truth that is in entities, whereas for Heidegger there is no truth in things, but only in their unveilednessto Dasein. Scotus offers us a model in which there are different senses in which we can speak of truth, and in which these complement one another. Scotus could accommodate Heidegger’s crucial insights about the encounter between Dasein and the world. But Heidegger could not accept much of Scotus’s account without giving up some fundamental points of his argument.

This paper discusses Heidegger's 1931-32 lecture course on The Essence of Truth. It argues that Heidegger read Platonic ideas, not only as stage-setting for the western philosophical tradition's privileging of conceptualization over practice, and its correlative treatment of truth as correctness, but also as an early attempt to work through truth as the fundamental experience of unhiddenness. Wrathall shows how several of Heidegger's more-famous claims about truth, e.g. that propositional truth is grounded in truth as world-disclosure, and including Heidegger's critique of the self-evidence of truth as correspondence, are first revealed in a powerful (if iconoclastic) reading of Plato.

I argue in this paper that Heidegger, contrary to the view of many scholars, in fact endorsed a view of truth as a sort of correspondence. I first show how it is a mistake to take Heidegger's notion of 'unconcealment' as a definition of propositional truth. It is thus not only possible but also essential to disambiguate Heidegger's use of the word 'truth', which he occasionally used to refer to both truth as it is ordinarily understood and unconcealment understood as the condition of the possibility of truth. I then show how Heidegger accepted that propositional truth, or 'correctness', as he sometimes called it, consists in our utterances or beliefs corresponding to the way things are. Heidegger's objection to correspondence theories of truth was not directed at the notion of correspondence as such, but rather at the way in which correspondence is typically taken to consist in an agreement between representations and objects. Indeed, Heidegger took his account of unconcealment as explaining how it is possible for propositions to correspond to the world, thus making unconcealment the ground of propositional truth. I conclude by discussing briefly some of the consequences for Heidegger interpretation which follow from a correct understanding of Heidegger's notion of propositional truth.

This paper responds to Tugendhat's well-known and influential critique of Heidegger's concept of truth with the resources of Heidegger's texts, in particular §44 of Being and Time. To start with, Tugendhat's primary critical argument is reconstructed. It is held to consist firstly in the charge of ambiguity against Heidegger's formulations of his concept of truth and secondly in the claim that Heidegger's concept of truth is incompatible with an adequate concept of falsehood. It is shown that the supposedly ambiguous meanings are, on the one hand, in fact clearly distinguished by Heidegger and, on the other, that they merely amount to different extensions of the same meaning of truth. It is then shown how this concept of truth is indeed compatible with an adequate, albeit post-metaphysical, concept of falsehood. Finally, the grounds of falsehood in the untruth of the existential of Verfallen are pursued and further objections are dismissed.