In John Gibson & Noel Carroll (eds.), Narrative, Emotion, and Insight. Penn State UP (2011)
|Abstract||In this essay, I discuss a few ways in which songs are used, ways in which listeners engage with and find meaning in music. I am most interested in sad songs—those that typically feature narratives about lost love, separation, missed opportunity, regret, hardship, and all manner of heartache. Many of us are drawn to sad songs in moments of emotional distress. The problem is that sad songs do not always make us feel better; to the contrary, they often make us feel worse. So, why do we listen to sad songs? I argue that we seek out sad songs, partly, to intensify distress, which helps us reflect on situations of profound personal significance.|
|Keywords||paradox of painful art art and emotion music song paradox of tragedy|
|Through your library||Configure|
Similar books and articles
W. H. D. Rouse (1918). The Cambridge Songs The Cambridge Songs. A Goliard's Song Book of the Eleventh Century. Edited From the Unique MS. In the University Library by K. Breul. Cambridge University Press, 1915. [REVIEW] The Classical Review 32 (1-2):34-35.
Stacie Friend (2007). The Pleasures of Documentary Tragedy. British Journal of Aesthetics 47 (2):184-198.
Aaron Smuts (2009). Art and Negative Affect. Philosophy Compass 4 (1):39-55.
Menachem Marc Kellner (2010). Torah in the Observatory: Gersonides, Maimonides, Song of Songs. Academic Studies Press.
Aaron Smuts (2007). The Paradox of Painful Art. Journal of Aesthetic Education 41 (3):59-77.
Stephen Davies (1997). Why Listen to Sad Music If It Makes One Feel Sad? In Jenefer Robinson (ed.), Music & Meaning. Cornell University Press.
Added to index2009-10-06
Total downloads102 ( #5,887 of 549,014 )
Recent downloads (6 months)20 ( #2,761 of 549,014 )
How can I increase my downloads?