David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
British Journal of Aesthetics 49 (3):277-281 (2009)
Christopher Peacocke's paper presents a characteristically rich and original theory of the so-called expressive qualities of music. It is, surely, impossible to come to a verdict on such an interesting theory quickly, and it will, no doubt, attract continuing and merited attention. The purpose of my preliminary reflections is to raise some questions about the proposal and to express some reservations, but I see these remarks as simply opening and inconclusive ones in a longer dialogue. I am going to divide my comments into two parts. The first set is brief and relates to the content of Peacocke's theory. The second set expresses doubts as to the importance in our musical life of anything corresponding to Peacocke's hearing metaphorically-as (allowing that we do understand what it is)
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Casey O'Callaghan (2010). Perceiving the Locations of Sounds. Review of Philosophy and Psychology 1 (1):123-140.
Alessandro Arbo (2009). Some Remarks on “Hearing-as” and its Role in the Aesthetics of Music. Topoi 28 (2):97-107.
Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.
Roger Scruton (2004). Musical Movement: A Reply to Budd. British Journal of Aesthetics 44 (2):184-187.
Christopher Peacocke (2009). Experiencing Metaphorically-as in Music Perception: Clarifications and Commitments. British Journal of Aesthetics 49 (3):299-306.
Christopher Peacocke (2010). Music and Experiencing Metaphorically-As: Further Delineation. British Journal of Aesthetics 50 (2):189-191.
Malcolm Budd (2003). Musical Movement and Aesthetic Metaphors. British Journal of Aesthetics 43 (3):209-223.
Paul A. Boghossian (2002). On Hearing the Music in the Sound: Scruton on Musical Expression. Journal of Aesthetics and Art Criticism 60 (1):49–55.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Mark DeBellis (1991). The Representational Content of Musical Experience. Philosophy and Phenomenological Research 51 (June):303-24.
Added to index2009-07-06
Total downloads45 ( #45,863 of 1,692,707 )
Recent downloads (6 months)2 ( #108,995 of 1,692,707 )
How can I increase my downloads?