Online research in philosophy

The cinematic technique of point-of-view shots is meant to give spectators a film character’s point-ofview. In ‘Imagining from the Inside’, Murray Smith claims that point-of-view shots allow viewers to ‘imagine seeing as the character does’ and this imagining in turn promotes imagining the character ‘from the inside’, thereby fostering empathy with the character. I argue, against Smith, that the cinematic technique of point-of-view shots does not prompt viewers to ‘imagine seeing as the character does’ for two reasons: first, such shots do not give us a character’s perspective in any literal sense, but what I call a ‘symbolic perspective’; second, the very concept of ‘imagining seeing’ is problematic in that it places us on the same ontological level as that of fictional characters. I agree with Smith that point-of-view shots promote a qualitatively different emotional engagement in spectators and that they are powerful prompts to ‘imagining from the inside’, while I show that he conflates this Waltonian notion with Currie’s ‘personal imagining’ and with the idea of empathizing with a character.

I argue in this paper that the existence of sorites series of color patches – series of color patches arranged so that the patches on each end look different in color though no two adjacent patches do – shows that the relation of same phenomenal charac­ter as is not a transitive relation. I then argue that the intransitivity of same phenomenal character as conflicts with certain versions of intentionalism, the view that an experiences phenomenal character is exhausted, or fully determined by its intentional content. Lastly, I consider various objections to the arguments and reply to them.

A standard view in philosophy of mind is that qualia and phenomenal character require consciousness. This paper argues that various experimental and clinical phenomena can be better explained if we reject this assumption. States found in early visual processing can possess qualitative character even though they are not in any sense conscious mental states. This non-standard interpretation bears the burden of explaining what must be added to states that have qualitative character in order to yield states of sensory awareness or sensory experience. I argue that the study of selective attention reveals resources that can be useful in that project. Two traditional objects are briefly considered.

But I am troubled by Kaplan's attempts to describe character. For one thing, Kaplan is not consistent in his mathematical representation of character. In some places, he represents character with one sort of function; in other places, he uses another sort of function. I show this in section one below, and argue that one of these representations is clearly better than the other. But I believe that even the better of these two representations is inadequate for capturing the kind of meaning that Kaplan calls 'character'. In section two, I argue that no extensional function can do the job adequately.

What is the relation between colors and our experience of them? A na?ve thought is this?the phenomenal character of color experience is determined by the qualitative character of the perceived color. When Norm perceives a red tomato, the qualitative character of his color experience is determined by the qualitative character of the color manifest in his experience of the tomato. If however, colors are mind- independent qualities of material objects, as they seem, pre-philosophically to be, then this can seem to con?ict with the possibility, if it is one, of veridical perceptual variation. Indeed, it is largely on this basis that Shoemaker ?????? criticizes the version of representationalism defended by Hilbert and Kalderon ??????

When an object looks red to an observer, the visual experience of the observer has two important features. The experience visually represents the object as having a property—being red. And the experience has a phenomenological character; that is, there is something that it is like to have an experience of seeing an object as red. Let qualia be the properties that give our sensory and perceptual experiences their phenomenological character. This essay takes up two related problem for a nonreductive account of qualia. Some have argued that on such an account there is no room in a physicalist ontology for qualia. Section 1 shows how qualia might fit into a physicalist ontology. The second problem begins with the observation that there is a gap in scientific accounts of color experience; there is no explanation of why the features of the brain that determine our color experiences give those experiences their phenomenological character. Building on the results of Sect. 1, Sect. 2 develops an account of color perception that bridges this gap and shows how qualia give color perception its phenomenological character. To get a grip on the issues involved the paper begins by considering some aspects of a physicalist account of color.

The paper defends a neo-Lockean view of secondary qualities, in particular color, according to which the being of a given color amounts to having the disposition to produce in normal viewers under normal circumstances the response of seeing an objective manifest simple color. It also defends the view that the naïve color-concept, the simple color concept, so to speak, is a fully objective property. The defense of this view is carried against its nearest cousin , the view proposed and defended by Philip Pettit and Frank Jackson, according to which the naive color concept is response dependent, whereas color itself is fully objective. It is argued that the neo-Lockean alternative better captures the phenomenology of color, and better predicts or accounts for the dramatic character of the historical scientific discoveries (of Newton and his followers). Against metaphysical response dependence, the paper proposes a brief positive argument from the unity of color properties, and a criticism of Jackson’s counter-argument against metaphysical response-dependence from the naïve intuitions about causal properties of color.

The paper analyzes the meaning of color terms within the framework of Kaplan's character theory (which, when generalized to a treatment of hidden indexicality or dependence on the context world, can perfectly accommodate Kripke's notions of apriority and of (metaphysical) necessity). It explains this framework and why it might be fruitfully applied to color terms. Then it defends six theses: that (1) the predicate "is red" and (2) even the relation "appears red to" are hidden indexicals (i.e., have, as used in English, different extensions in different context worlds), that (3) the phenomenal, the comparative, and the epistemic reading of "appears red to" are not three different readings, but reflect the context world dependence of this term, that (4) the statement "x is red iff x would appear red to most English-speaking people under normal conditions" is a priori in English, but analytic only in one reading and not in another, and that these observations account well for the epistemology of color terms and allow us to be metaphysically conservative by claiming that our context world is presumably such that (5) the statement "x appears red to y iff x (appropriately) causes y to be in a certain (disjunctive) neural state N" is necessarily true and (6) the statement "x is red iff the reflectance spectrum of the surface of x is of some (disjunctive) kind R" is necessarily true as well.