Abstract

This paper considers how Kierkegaard self-reflexively portrays the tension between the boundary limit of discursive reason and mythic imagination in his classic analysis of Abrahamic faith. Following some reflections on the nature and philosophical implications of that tension, I examine its salient delineation in the Prelude of Fear and Trembling. Through four non-canonical renderings of the biblical Aqedah myth featured in the Prelude, Kierkegaard depicts the limits of ethical reasoning in the drama of Johannes de Silentio’s struggle to figure-forth Abraham’s “movements” in ethically intelligible terms. I conclude that, as dramatized by Kierkegaard, the tension between mythemic figuration and discursively articulated critical reasoning sets in relief one of the formative aporiai of modern Western culture, namely the conflictive interplay of vision and discourse.