David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Philosophical Quarterly 56 (223):224-241 (2006)
I offer an analysis of the role played by consideration of an item's functions when it is judged aesthetically. The account applies also to artworks, of which some serve extrinsic functions (such as the glorification of God and the communication of religious lore) and others have the function of being contemplated for their own sake alone. Along the way, I deny that aesthetic judgements fit the model of judgements either of free beauty or of dependent beauty, given how these two came to be described in the early twentieth century
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References found in this work BETA
Kendall L. Walton (1970). Categories of Art. Philosophical Review 79 (3):334-367.
Frank Sibley (1959). Aesthetic Concepts. Philosophical Review 68 (4):421-450.
Arthur Danto (1964). The Artworld. Journal of Philosophy 61 (19):571-584.
Vilayanur S. Ramachandran & William Hirstein (1999). The Science of Art: A Neurological Theory of Aesthetic Experience. Journal of Consciousness Studies 6 (6-7):15-41.
Alan H. Goldman (1990). Aesthetic Qualities and Aesthetic Value. Journal of Philosophy 87 (1):23-37.
Citations of this work BETA
Jonathan Gilmore (2011). A Functional View of Artistic Evaluation. Philosophical Studies 155 (2):289-305.
Jennifer A. McMahon (2010). The Classical Trinity and Kant's Aesthetic Formalism. Critical Horizons 11 (3):419-441.
Stephen Davies (forthcoming). The Artist and the Bengalese Finch. Review of Philosophy and Psychology:1-6.
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