Interpretation and Construction: Art, Speech, and the Law
Blackwell (2003)
| Abstract | Interpreting the everyday -- Art interpretation : the central issues -- A theory of art interpretation : substantive claims -- A theory of art interpretation : conceptual and ontological claims -- Radical constructivism -- Moderate and historical constructivism -- Interpretation and construction in the law -- Relativism versus pluralism. | |||||||||
| Keywords | Hermeneutics Constructivism (Philosophy Art Philosophy Law Interpretation and construction | |||||||||
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| Buy the book | $34.91 new (26% off) $44.60 direct from Amazon (6% off) Amazon page | |||||||||
| Call number | BD241.S78 2003 | |||||||||
| ISBN(s) | 140510175X 1405101741 9781405101752 | |||||||||
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Andrei Marmor (ed.) (1995). Law and Interpretation: Essays in Legal Philosophy. Oxford University Press.
Grant Huscroft & Bradley W. Miller (eds.) (2011). The Challenge of Originalism: Theories of Constitutional Interpretation. Cambridge University Press.
Nicholas Maxwell (2003). Art as Its Own Interpretation. In Andreea Ruvoi (ed.), Interpretation and Its Objects: Studies in the Philosophy of Michael Krausz. Rodopi.
Matthew Rowe (2004). Interpretation and Construction, Art, Speech, and the Law. British Journal of Aesthetics 44 (3):303-304.
T. Gracyk (2006). Interpretation and Construction: Art, Speech, and the Law. Philosophical Review 115 (4):524-526.
Joseph Raz (2009). Between Authority and Interpretation: On the Theory of Law and Practical Reason. Oxford University Press.
Kent Greenawalt (2010). Legal Interpretation: Perspectives From Other Disciplines and Private Texts. Oxford University Press.
Kent Greenawalt (2010). Comparative Legal Interpretation. Oxford University Press.
Gary Iseminger (2007). Interpretation and Construction: Art, Speech, and the Law, by Robert Stecker. European Journal of Philosophy 15 (1):114–118.
Reviews by David Davies & Julie Van Camp (2004). Robert Stecker, Interpretation and Construction: Art, Speech, and the Law. Journal of Aesthetics and Art Criticism 62 (3):291–296.
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