David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Minds and Machines 17 (3):261 – 271 (2007)
You can survive after death in various kinds of artifacts. You can survive in diaries, photographs, sound recordings, and movies. But these artifacts record only superficial features of yourself. We are already close to the construction of programs that partially and approximately replicate entire human lives (by storing their memories and duplicating their personalities). A digital ghost is an artificially intelligent program that knows all about your life. It is an animated auto-biography. It replicates your patterns of belief and desire. You can survive after death in a digital ghost. We discuss a series of digital ghosts over the next 50 years. As time goes by and technology advances, they are progressively more perfect replicas of the lives of their original authors.
|Keywords||Afterlife CARPE Recorded personalities Survival Virtual persons|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Shiela Reaves (1991). Digital Alteration of Photographs in Consumer Magazines. Journal of Mass Media Ethics 6 (3):175 – 181.
Shield Reaves (1987). Digital Retouching: Is There a Place for It in Newspaper Photography? Journal of Mass Media Ethics 2 (2):40 – 48.
Tere Vadén (2004). Digital Nominalism. Notes on the Ethics of Information Society in View of the Ontology of the Digital. Ethics and Information Technology 6 (4):223-231.
Zonghao Bao & Kun Xiang (2006). Digitalization and Global Ethics. Ethics and Information Technology 8 (1):41-47.
Stefan Gradmann & Jan Christoph Meister (2008). Digital Document and Interpretation: Re-Thinking “Text” and Scholarship in Electronic Settings. [REVIEW] Poiesis and Praxis 5 (2):139-153.
Stamatia Portanova (2009). Act III A Digital Deleuze : Performance and New Media. Like a Prosthesis : Critical Performance À Digital Deleuze / Timothy Murray ; Performance as the Distribution of Life : From Aeschylus to Chekhov to VJing Via Deleuze and Guattari / Andrew Murphie ; The 'Minor' Arithmetic of Rhythm : Imagining Digital Technologies for Dance. In Laura Cull (ed.), Deleuze and Performance. Edinburgh University Press.
Sulaiman Al-Rafee & Timothy Paul Cronan (2006). Digital Piracy: Factors That Influence Attitude Toward Behavior. [REVIEW] Journal of Business Ethics 63 (3):237 - 259.
John Zeimbekis (forthcoming). Digital Pictures, Sampling and Vagueness (The Ontology of Digital Pictures). Journal of Aesthetics and Art Criticism.
Corey J. Maley (2011). Analog and Digital, Continuous and Discrete. Philosophical Studies 155 (1):117-131.
Joohan Kim (2001). Phenomenology of Digital-Being. Human Studies 24 (1-2):87-111.
Added to index2009-01-28
Total downloads25 ( #82,494 of 1,692,759 )
Recent downloads (6 months)2 ( #108,992 of 1,692,759 )
How can I increase my downloads?