The Will to Chance: Necessity and Arbitrariness in the Czech Avant-Garde From Poetism to Surrealism
Slavica Publishers (2007)
| Abstract | Against arbitrariness -- The plastic word -- The simultaneous vision -- Each of us tracks his own toad -- The bed in the background : the erotics of chance in the discourses of Czech surrealism -- The poet and the hangman. | |||||||||
| Keywords | Avant-garde (Aesthetics History Chance History | |||||||||
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| Buy the book | $27.95 new $60.06 used Amazon page | |||||||||
| Call number | BH301.A94.S74 2007 | |||||||||
| ISBN(s) | 089357323X | |||||||||
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Kirsten Strom (2004). "Avant-Garde of What?": Surrealism Reconceived as Political Culture. Journal of Aesthetics and Art Criticism 62 (1):37–49.
Barnaby Dicker (2010). Franciszka Themerson's "Ubu Comic Strip" : Autography, Caricature, and the Avant Garde. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Giovanna Montenegro (2010). Venezuelan Avant-Garde : María Calcaño's Erotic Poetry. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Alexander Starkweather Fobes (2010). Huidobro, Cagliostro : Demiurge as Mage Conjuring a Metaphor for the Avant-Garde. In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Antti Salminen (2010). From Avant-Garde to Para-Garde : "The Truth About Marika". In Renée M. Silverman (ed.), Popular Avant-Garde. Rodopi.
Daniel Alan Herwitz (1993). Making Theory/Constructing Art: On the Authority of the Avant-Garde. University of Chicago Press.
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