A third note on eighteenth-century "disinterestedness"
Journal of Aesthetics and Art Criticism 22 (1):69-70 (1963)
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Paul Hazard (1954). European Thought in the Eighteenth Century. New Haven, Yale University Press.
S. C. Humphreys (2003). The Spilsburys: A Note on Pseudonyms in Late Eighteenth-Century Art Publishing. Journal of the Warburg and Courtauld Institutes 66:297 - 298.
Nancy Yousef (2008). Can Julie Be Trusted? Rousseau and the Crisis of Constancy in Eighteenth-Century Philosophy. In Alexander John Dick & Christina Lupton (eds.), Theory and Practice in the Eighteenth Century: Writing Between Philosophy and Literature. Pickering & Chatto.
Jerome Stolnitz (1961). On the Origins of "Aesthetic Disinterestedness". Journal of Aesthetics and Art Criticism 20 (2):131-143.
Mark G. Spencer (2005). David Hume and Eighteenth-Century America. University of Rochester Press.
Jerome Stolnitz (1963). Locke And The Categories Of Value In Eighteenth Century British Aesthetic Theory. Philosophy 38 (143):40-.
Arnold Berleant (1991). Art and Engagement. Temple University Press.
Miles Rind (2002). The Concept of Disinterestedness in Eighteenth-Century British Aesthetics. Journal of the History of Philosophy 40 (1):67-87.
Rémy G. Saisselin (1962). A Second Note on Eighteenth Century "Disinterestedness". Journal of Aesthetics and Art Criticism 21 (2):209-210.
Marcia Allentuck (1962). A Note on Eighteenth-Century "Disinterestedness". Journal of Aesthetics and Art Criticism 21 (1):89-90.
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