David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Metaphilosophy 42 (5):658-681 (2011)
Creativity has received, and continues to receive, comparatively little analysis in philosophy and the brain and behavioural sciences. This is in spite of the importance of creative thought and action, and the many and varied resources of theories of mind. Here an alternative approach to analyzing creativity is suggested: start from the bottom up with minimally creative thought. Minimally creative thought depends non-accidentally upon agency, is novel relative to the acting agent, and could not have been tokened before the time it is in fact tokened, relative to the agent in question. Thoughts that meet these three conditions—agency, psychological novelty, and modal—are what may be called cognitive breakthroughs. Even if such breakthroughs are not necessary to or definitive of richer creativity, they are indeed central to much of creativity. The minimal analysis provides a more workable explanandum for theories of creativity of varied motivation and method
|Keywords||Creativity Cognition Thought|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
William Alston (1989). Epistemic Justification. Cornell University Press.
G. E. M. Anscombe (1957/2000). Intention. Harvard University Press.
Jonathan Bennett (1990). Why Is Belief Involuntary? Analysis 50 (2):87 - 107.
Peter Carruthers (2002). Human Creativity: Its Cognitive Basis, its Evolution, and its Connections with Childhood Pretence. British Journal for the Philosophy of Science 53 (2):225-249.
Citations of this work BETA
No citations found.
Similar books and articles
Dustin Stokes (2008). A Metaphysics of Creativity. In Kathleen Stock & Katherine Thomson-Jones (eds.), New Waves in Aesthetics. Palgrave Macmillan. 105--124.
Peter Carruthers (2011). Creative Action in Mind. Philosophical Psychology 24 (4):437 - 461.
Dustin Stokes (2007). Incubated Cognition and Creativity. Journal of Consciousness Studies 14 (3):83-100.
René Víctor Valqui Vidal (2013). To Be Human is to Be Creative. AI and Society 28 (2):237-248.
L. Briskman (1981). Creative Product and Creative Process in Science and Art. In Denis Dutton & Michael Krausz (eds.), The Concept of Creativity in Science and Art. Distributors for the U.S. And Canada, Kluwer Boston. 83 – 106.
Benjamin Dalton (2004). Creativity, Habit, and the Social Products of Creative Action: Revising Joas, Incorporating Bourdieu. Sociological Theory 22 (4):603-622.
Larry Briskman (1980). Creative Product and Creative Process in Science and Art. Inquiry 23 (1):83 – 106.
Maria Kronfeldner (2009). Creativity Naturalized. Philosophical Quarterly 59 (237):577-592.
Bence Nanay (2014). An Experiential Account of Creativity. In Elliot Paul & Scott Barry Kaufman (eds.), The Philosophy of Creativity. Oxford University Press.
Albert Low (2006). Creative Thinking. World Futures 62 (6):455 – 463.
Elizabeth Grierson (2011). Art and Creativity in the Global Economies of Education. Educational Philosophy and Theory 43 (4):336-350.
Y. J. Erden (2010). Could a Created Being Ever Be Creative? Some Philosophical Remarks on Creativity and AI Development. Minds and Machines 20 (3):349-362.
Jairne H. Garcia (2003). Nurturing Creativity in Chicano Populations. Inquiry 22 (3):19-24.
Jimmy Bickerstaff (2008). Collaborative Theater/Collective Artist: An Evolving Systems Case Study in Social Creativity. World Futures 64 (4):276 – 291.
Added to index2011-05-10
Total downloads75 ( #18,062 of 1,100,819 )
Recent downloads (6 months)11 ( #16,896 of 1,100,819 )
How can I increase my downloads?