David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
Learn more about PhilPapers
Acta Analytica 20 (4):24-31 (2005)
In Art as Performance , David Davies identifies certain properties relevant to artistic appreciation of artworks that, he suggests, are naturally construed as belonging to the artist’s creative performance rather than to any product of that performance (the “work-product”). He further argues, against an anticipated opponent, that such properties cannot be excluded as irrelevant to artistic appreciation in any principled way. I argue that the cited properties can be intelligibly construed as properties of the associated work-product, whether or not they are relevant to artistic appreciation; but that some are not relevant to artistic appreciation. In doing so, I offer a principle determining when a property of an artwork is relevant to artistic appreciation. I conclude that, on its own, Davies’s argument offers no good grounds to abandon our practice of thinking of the artwork as the product of an artist’s activity, rather than the activity itself.
|Keywords||art performance David Davies ontology contextualism|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
David Davies (2004). Art as Performance. Blackwell Pub..
Jerrold Levinson (1980). What a Musical Work Is. Journal of Philosophy 77 (1):5-28.
Citations of this work BETA
No citations found.
Similar books and articles
Yaroslav Shramko (1999). A Theory of Relevant Properties 1: Reflections and Definitions. Theoria 14 (1):63-81.
Tim Crane (2008). Causation and Determinable Properties : On the Efficacy of Colour, Shape, and Size. In Jakob Hohwy & Jesper Kallestrup (eds.), Being Reduced: New Essays on Reduction, Explanation, and Causation. Oxford University Press
Jürgen Schröder (2007). Mental Causation and the Supervenience Argument. Erkenntnis 67 (2):221 - 237.
James Shelley (2002). The Character and Role of Principles in the Evaluation of Art. British Journal of Aesthetics 42 (1):37-51.
Graham McFee (2005). The Artistic and the Aesthetic. British Journal of Aesthetics 45 (4):368-387.
Elisa Galgut (2010). Projective Properties and Expression in Literary Appreciation. Journal of Aesthetics and Art Criticism 68 (2):143-153.
Ben Caplan & Carl Matheson (2008). Modality, Individuation, and the Ontology of Art. Canadian Journal of Philosophy 38 (4):491-517.
David Davies (2009). Works and Performances in the Performing Arts. Philosophy Compass 4 (5):744-755.
Derek Matravers (2005). Two Comments and a Problem for David Davies' Performance Theory. Acta Analytica 20 (4):32-40.
Danilo Šuster (2005). The Modality Principle and Work-Relativity of Modality. Acta Analytica 20 (4):41-52.
Added to index2009-01-28
Total downloads18 ( #216,825 of 1,934,793 )
Recent downloads (6 months)1 ( #434,672 of 1,934,793 )
How can I increase my downloads?