David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Philosophical Papers 38 (3):347-362 (2011)
Disgrace , by J.M. Coetzee, is a story of a rape; more, it is a tale in which the victim of the rape, Lucy Lurie, is silent. She demands neither sympathy nor justice for what happens toher, presenting herself as neither a victim nor someone seeking revenge. Instead she stands as a witness, and does so by adopting an attitude reminiscent of the thinking of Simone Weil—rejecting the possibility of rights, and not looking for explanations. Rape, Coetzee thus suggests, is an act without meaning, a trauma whose reality cannot be exorcised through narration. Fittingly, therefore, the novel ends with a tableau of Lucy growing flowers in her garden; living, like Candide, without rationalisation or consolatory myth.
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References found in this work BETA
R. M. Dworkin (1988). Law's Empire. Harvard University Press.
Susan Brison (2002). Aftermath: Violence and the Remaking of a Self. Princeton University Press.
Marilyn McCord Adams (1999). Horrendous Evils and the Goodness of God. Cornell University Press.
Gayatri Chakravorty Spivak (2005). Ethics and Politics in Tagore, Coetzee, and Certain Scenes of Teaching. Diacritics 32 (3):17-31.
Simone Weil (2002). The Need for Roots: Prelude to a Declaration of Duties Towards Mankind. Routledge.
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