Online research in philosophy

This essay traces the development of the concept of style in merleau- ponty's thought as both an aesthetic and an ontological category. the importance of this concept is that what merleau-ponty first noticed as the signifying potential of style in painting develops into a general category descriptive of a more comprehensive aspect of our being-in-the-world. style is crucial for merleau-ponty's thought since it provides a way of describing the foundational field of meaning that perception discloses, and also of characterizing the nature of existential coherence under the conditions of finitude.

_reduction in favour of his existentialist account of être au monde. I show that whilst Merleau-Ponty _ _rejected, what he saw as, the transcendental idealist context in which Husserl presents the _ _reduction, he nevertheless accepts the heart of it, the epoché, as a methodological principle. _ _Contrary to a number of Merleau-Ponty scholars, être au monde is perfectly compatible with the _ _epoché and Merleau-Ponty endorses both. I also argue that it is a mistake to think that Merleau-_ _Ponty’s liberal use of the results of empirical psychology signify a rejection of the epoché. A proper _ _understanding of his views on the relation between phenomenology and psychology shows that, at _ _least in Merleau-Ponty’s eyes, the methods of phenomenology and the empirical sciences are _ _largely similar. I conclude that we have every reason to think that Merleau-Ponty accepted _ _Husserl’s demand that the phenomenologist place the world in brackets._.

The intent of the article is to define merleau-ponty's place in the phenomenological tradition and, at the same time, to defend his standpoint, especially on those issues where his thought represents a departure from the tradition. although merleau-ponty espouses a form of the husserlian doctrine of the intentionality of consciousness, his understanding of intentionality differs in several fundamental respects from husserl's. the article attempts to show specifically where merleau-ponty's gestalt- theoretical orientation leads him to modify such basic aspects of husserl's concept of intentionality as the noesis-noema distinction and the claim for atemporality of meaning. a critical comparison is drawn between merleau- ponty's concept of intentionality and that of aron gurwitsch. in a more positive vein, the article provides an extended exegesis of merleau-ponty's position on this central concept in phenomenology, and it also tries to relate the exposition of intentionality to merleau-ponty's thesis of the primacy of perception. finally, an attempt is made to reveal the ontological ramifications implicit in merleau-ponty's revisions to the doctrine of intentionality. (edited).

The primary concem of this essay is the similarity and difference between Merleau-Ponty’s early (Phenomenology of Perception) and late (The Visible and the lnvisible) philosophy of language. While some argue that Merleau-Ponty’s late work breaks with the earlier text and foreshadows poststructuralist and deconstructionist philosophy of language, I argue (with others) that there is no significant break in Merleau-Ponty’s thought. The similarities discovered between the early and late philosophy of language are 1.) that the body opens onto a world that is shared by all, 2.) that human gestures (of an individual and between individuals) interpenetrate and aim at the same world, and 3.) that the visual field that is already structured by the body/world interaction provides the basis for more abstract linguistic expression. The most fundamental difference discovered between these texts is that Merleau-Ponty abandons his earlier concept of the tacit cogito for the reflexivity of the body. Merleau-Ponty’s attempt to relate this reflexivity to language will also be discussed.Since there is such confusion and debate about the continuity of Merleau-Ponty’s thought, especially with respect to his philosophy of language, I have cast the essay in the form of a comprehensive exposition. The detailed textual exposition serves two purposes. First, it provides a comprehensive essay length introduction to Merleau-Ponty’s philosophy of language, and secondly, it reveals Merleau-Ponty’s thoughts in his own words, thus reducing the possibility of misinterpretation.

This paper explicates Merleau-Ponty's highly original theory of subjectivity and intersubjectivity. Merleau-Ponty challenges traditional philosophy/psychology by rejecting the notion of subjective awareness as an introspective awareness of the private contents of one's own consciousness. For Merleau-Ponty, the subjective is a prereflective, prepersonal bodily openess to an anonymous visibility, a visibility in which both the individual and others participate. Thus, for Merleau-Ponty, the personal/ subjective and the shared/ intersubjective overlap. This view escapes the individualism of the West and the collectivism of authoritarian communism. It provides a balanced theory for both political theory and practice.

: This review offers a critical analysis of Shannon Sullivan's "feminist pragmatist standpoint theory" as a framework for thinking about issues of identity and truth. Sullivan claims that Maurice Merleau-Ponty's emphasis on an anonymous or pre-personal quality to bodily experience commits him to a false universality and that his understanding of bodily intentionality traps him in a subjectivist philosophy that is incapable of doing justice to difference. She suggests that phenomenology in general is theoretically limited because of its alleged subjectivism and universalism, and she turns to Dewey's pragmatism to develop a "transactional model" of identity and truth. In response, I argue that Merleau-Ponty's descriptions of anonymity and intentionality do not entail either subjectivism or a false universality. I also challenge Sullivan's conception of truth as transactional flourishing by appealing to the "terrible truths" of violence and oppression.

This chapter studies the theme of the body in Merleau-Ponty by first showing how it is anticipated in The Structure of Behaviour and is central to the Phenomenology of Perception. In addition to illuminating Merleau-Ponty's concept of the body, the aim is to show how the body is, for Merleau-Ponty, a key methodological term, since it marks philosophy's inherent openness to something prephilosophical, to which philosophy must be responsible. The chapter shows how this openness and the body's expressive role in the earlier philosophy anticipates key issues in the later The Visible and the Invisible.

: Responding to Silvia Stoller's comments on "Domination and Dialogue in Merleau-Ponty's Phenomenology of Perception" (Sullivan 1997), I argue that while phenomenology has much to offer feminism, feminists should be wary of Merleau-Ponty's notion of projective intentionality because of the ethical solipsism that it tends to involve. I also take the opportunity to clarify the concept of hypothetical construction introduced in the earlier paper, in particular the transformative relationship that it has to pre-reflective experience.

Merleau-Ponty's claim in Phenomenology of Perception (1962) that the anonymous body guarantees an intersubjective world is problematic because it omits the particularities of bodies. This omission produces an account of "dialogue" with another in which I solipsistically hear only myself and dominate others with my intentionality. This essay develops an alternative to projective intentionality called "hypothetical construction," in which meaning is socially constructed through an appreciation of the differences of others.