Some objections to Stecker's historical functionalism
British Journal of Aesthetics 40 (4):479-491 (2000)
| Abstract | The claim that the functions of art liable to change over time appears to suggest that any attempt to define art in terms of a limited set of functions will fail. Robert Stecker has offered a functionalist definition which seeks to accommodate this criticism by making the functions which are relevant to an artwork's status those which are 'standard or correctly recognized' for some art form. I argue that Stecker does not offer a clear enough distinction between the 'standard or correctly recognized' and the accidental functions of an art form; that his account of the 'standard or correctly recognized' functions of an art form does not exhaust important artistic functions; and that his proposed definition is neither necessary nor sufficient for an object to count as an artwork. For these reasons I suggest that Stecker's functionalist account of art should be rejected. | |||||||||
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Robert Stecker (1991). Goldman on Interpreting Art and Literature. Journal of Aesthetics and Art Criticism 49 (3):243-246.
Robert Stecker (1994). Art Interpretation. Journal of Aesthetics and Art Criticism 52 (2):193-206.
Berys Gaut (2005). The Cluster Account of Art Defended. British Journal of Aesthetics 45 (3):273-288.
Robert Stecker (2001). Defending Historical Functionalism: A Reply to Stock. British Journal of Aesthetics 41 (3):328-332.
Robert Stecker (2011). Work and Object: Explorations in the Metaphysics of Art by Lamarque, Peter. Journal of Aesthetics and Art Criticism 69 (4):415-417.
Robert Stecker (1992). Defining “Art”: The Functionalism/Proceduralism Controversy. Southern Journal of Philosophy 30 (4):141-152.
Tom Leddy (1998). Stecker's Functionalism. Journal of Aesthetics and Art Criticism 56 (4):398-402.
Robert Stecker (1996). Alien Objections to Historical Definitions of Art. British Journal of Aesthetics 36 (3):305-308.
Robert Stecker (1998). Leddy on Stecker's Functionalism. Journal of Aesthetics and Art Criticism 56 (4):402-404.
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