David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
The Proceedings of the Twenty-First World Congress of Philosophy 12:31-35 (2007)
In the Critique of Judgement Kant develops a theory of taste, according to which taste is the ability to make judgements concerning beauty, beauty in nature and in art. These judgements are based on a particular reflective activity, an activity in which the understanding is driven into a never-ending play with the imagination.In my paper I will try to show the actuality of Kant's aesthetic theory as a general theory of aesthetic experience, not only in connection with art, but as a particular kind of experience possible in other areas as well. Aesthetic experience is, as I read Kant, a peculiar kind of setting free, of detaching the connection between our experience and objective reality, a connection presupposed in every non-aesthetic discourse. This disconnection from the empirical world, which is essential in aesthetic reflection, I will call an aesthetic emancipatedness.To experience something aesthetically means to set it free, to embody it in the aesthetic emancipatedness, to set it free from the boundaries of normality and make it something extraordinary; a deviation. But a deviation would only exist in contrast to that which it deviates from. Emancipatedness can only exist in contrast to a not yet emancipated condition. This explains why the aesthetic experience also affects the moral and the cognitive aspects of reality
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Mordechai Gordon (2012). Exploring the Relationship Between Humor and Aesthetic Experience. Journal of Aesthetic Education 46 (1):111-121.
Andrew Chignell (2007). Kant on the Normativity of Taste: The Role of Aesthetic Ideas. Australasian Journal of Philosophy 85 (3):415 – 433.
Anthony Graybosch (2002). American Beauty. Acta Analytica 17 (1):133-150.
Samantha Matherne (2013). The Inclusive Interpretation of Kant's Aesthetic Ideas. British Journal of Aesthetics 53 (1):21-39.
Alexander Rueger (2007). Kant and the Aesthetics of Nature. British Journal of Aesthetics 47 (2):138-155.
Paul Guyer (2011). Gerard and Kant: Influence and Opposition. Journal of Scottish Philosophy 9 (1):59-93.
K. Gorodeisky (2011). A Tale of Two Faculties. British Journal of Aesthetics 51 (4):415-436.
Rob van Gerwen (1995). Kant's Regulative Principle of Aesthetic Excellence: The Ideal Aesthetic Experience. Kant-Studien 86 (3):331-345.
Paul Guyer (2003). The Cognitive Element in Aesthetic Experience: Reply to Matravers. British Journal of Aesthetics 43 (4):412-418.
Mihaly Csikszentmihalyi (1990). The Art of Seeing: An Interpretation of the Aesthetic Encounter. Getty Center for Education in the Arts.
Nick Zangwill (2005). Aesthetic Realism 1. In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oup Oxford.
Malcolm Budd (2008). Aesthetic Essays. Oxford University Press.
Paul Guyer (1997). Kant and the Claims of Taste. Cambridge University Press.
Jennifer McMahon (2011). Critical Aesthetic Realism. Journal of Aesthetic Education 45 (2):49-69.
Sorry, there are not enough data points to plot this chart.
Added to index2011-12-02
Total downloads1 ( #459,101 of 1,101,814 )
Recent downloads (6 months)1 ( #306,516 of 1,101,814 )
How can I increase my downloads?