Graduate studies at Western
Oxford University Press (2011)
|Abstract||Composers with disabilities and the critical reception of their music -- Musical narratives of disability overcome : Beethoven -- Musical narratives of disability accommodated : Schubert -- Musical narratives of balance lost and regained : Schoenberg and Webern -- Musical narratives of the fractured body : Schoenberg, Stravinsky, Bartók, and Copland -- Disability within music-theoretical traditions -- Performing music and performing disability -- Prodigious hearing, normal hearing, and disablist hearing.|
|Keywords||Music Philosophy and aesthetics Composers with disabilities Musicians with disabilities Music Psychological aspects Musical analysis|
|Categories||categorize this paper)|
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|Call number||ML3800.S885 2011|
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