Modern Aesthetics and the Poetry of the Divine Comedy
Thought 17 (3):412-432 (1942)
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Eleonora Stoppino (2010). Error Left Me and Fear Came in its Place" : The Arrested Sublime of the Giants in Divine Comedy, Canto XXXI. In C. Stephen Jaeger (ed.), Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music. Palgrave Macmillan.
Daniel A. Dombrowski (2004). Divine Beauty: The Aesthetics of Charles Hartshorne. Vanderbilt University Press.
Umberto Eco (1989). The Open Work. Harvard University Press.
G. B. Mohan (1968). The Response to Poetry. [New Delhi]People's Pub. House.
Marina Glazova (1984). Mandel'štam and Dante: Thedivine Comedy in Mandel'štam's Poetry of the 1930s. Studies in East European Thought 28 (4).
Dante (2006). The Divine Comedy. In Thomas L. Cooksey (ed.), Masterpieces of Philosophical Literature. Greenwood Press.
Allan Gotthelf (1982). Divine Comedy. Ancient Philosophy 2 (2):160-160.
Alfred H. Lloyd (1918). The Glory of Democracy--Poetry, Comedy and Duty. International Journal of Ethics 28 (2):179-196.
D. Mervyn Jones (1960). Middle Comedy J. M. Edmonds: The Fragments of Attic Comedy. Vol. Ii: Middle Comedy. Pp. 683. Leiden: Brill, 1959. Cloth, Fl. 70. [REVIEW] The Classical Review 10 (03):202-204.
John B. Vickery (1957). The Golden Bough and Modern Poetry. Journal of Aesthetics and Art Criticism 15 (3):271-288.
Dominic Cirigliano (1935). The Divine Comedy and the “Spiritual Exercises”. Thought 10 (3):410-436.
Haskell M. Block (1959). Surrealism and Modern Poetry: Outline of an Approach. Journal of Aesthetics and Art Criticism 18 (2):174-182.
Albert Cook (1991). The Canon of Poetry and the Wisdom of Poetry. Journal of Aesthetics and Art Criticism 49 (4):317-329.
William van O'Connor (1946). Nature and the Anti-Poetic in Modern Poetry. Journal of Aesthetics and Art Criticism 5 (1):35-44.
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