David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Cambridge University Press (1987)
'ith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain, justify, and shape its new aims. In this book, David Summers provides an original investigation of the philosophical and psychological notions invoked in this new theory and criticism. From a thorough examination of the sources, he shows how the medieval language of mental discourse derived from an understanding of classical thought. 'Some of the most striking observations in this impressive book involve stepping outside the history of ideas to ground these theories in a more general social history.' -- British Journal of Aesthetics 'This brilliant, stimulating study in the history of ideas should become indispensible for renaissance art historians, and for philosophers interested in the history of the philosophy of mind and in what might be called thepre-history' of aesthetics.' -- ChoiceWith the rise of naturalism in the art of the late Middle Ages and the Renaissance there developed an extensive and diverse literature about art which helped to explain.
|Keywords||Aesthetics Naturalism Perception (Philosophy Renaissance|
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|Call number||BH39.S913 1987|
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Citations of this work BETA
William B. Ashworth (1989). Light of Reason, Light of Nature. Catholic and Protestant Metaphors of Scientific Knowledge. Science in Context 3 (1).
Nima Bassiri (2012). Material Translations in the Cartesian Brain. Studies in History and Philosophy of Science Part C 43 (1):244-255.
Thomas A. Regelski (2005). Music and Music Education: Theory and Praxis for 'Making a Difference'. Educational Philosophy and Theory 37 (1):7–27.
Stephen Pender (2013). Heat and Moisture, Rhetoric and Spiritus. Intellectual History Review 24 (1):1-24.
C. E. L. Guest (2014). Art, Antiquarianism and Early Anatomy. Medical Humanities 40 (2):97-104.
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