David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Stanford University Press (1997)
Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavour since the outset of 'the broader modernity', which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian notion of the artist as an 'original genius,' the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, Benjamin, as well as the graphic works of Holbein, Dürer, Mondrian, and Rothko.
|Keywords||Aesthetics, Modern Arts, Modern Philosophy|
|Categories||categorize this paper)|
|Buy the book||$14.99 used (78% off) $51.93 new (23% off) $67.00 direct from Amazon Amazon page|
|Call number||BH151.S97 1997|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Harold Osborne (1972). Aesthetics. London,Oxford University Press.
Gregg Horowitz (2001). Sustaining Loss: Art and Mournful Life. Stanford University Press.
David Kenneth Holt (2001). The Search for Aesthetic Meaning in the Visual Arts: The Need for the Aesthetic Tradition in Contemporary Art Theory and Education. Bergin & Garvey.
C. E. Emmer (1998). Kitsch Against Modernity. Art Criticism 13 (1):53-80.
Mark Jarzombek (2000). The Psychologizing of Modernity: Art, Architecture, and History. Cambridge University Press.
Matthew Rampley (2000). Nietzsche, Aesthetics, and Modernity. Cambridge University Press.
Paul Mattick (ed.) (1993). Eighteenth-Century Aesthetics and the Reconstruction of Art. Cambridge University Press.
Benjamin Rutter (2010). Hegel on the Modern Arts. Cambridge University Press.
Added to index2009-01-28
Total downloads2 ( #373,227 of 1,140,336 )
Recent downloads (6 months)0
How can I increase my downloads?