Online research in philosophy

Whoever paid the bill at the restaurant last night, will clearly remember doing it. Independently from the type of action, it is a common experience that being the agent provides a special strength to our memories. Even if it is generally agreed that personal memories (episodic memory) rely on separate neural substrates with respect to general knowledge (semantic memory), little is known on the nature of the link between memory and the sense of agency. In the present paper, we review results from two experiments investigating the effects of agency on both explicit and implicit memory traces. Performance of normal subjects is compared to that of schizophrenic patients in order to explore the role of awareness of action on memory. It is proposed that reliable first-person information is necessary to create a stable and coherent motor memory trace.

Kant claims that we have a duty to promote our own moral perfection, but not the moral perfection of others. I examine three types of argument for this asymmetry, as well as the implications of these arguments--and their success or failure--for Kantian theory. The arguments I consider say that (first) to promote others’ perfection is impossible; (second) to try to promote others’ perfection is impermissible; and (third) one cannot be obligated to promote both others’ perfection and one’s own. I argue that none of these arguments establishes Kant’s conclusion. Since the formula of humanity grounds a duty to promote our own perfection out of respect for our rational nature, the absence of an argument denying that we must promote others’ perfection suggests that we must do so (out of respect for their rational nature). Even so, Kant’s theory discourages moral paternalism and takes perfection to be a primarily self-regarding project. Thus, I also show that a Kantian duty to promote the moral perfection of others would be unobjectionable, despite the problems such a duty might initially seem to invite.

Is there such a thing as the perfect performance of a musical work? It is the thesis of this paper that there is not. The thesis is advanced as the implication or concomitant of an already developed view of musical performance in the Western tradition, outlined in my book, Authenticities (1995).

___ (i) There is a difference between hearing Clyde play the piano and seeing him play the piano. ___ (ii) A perceptual belief that he is playing the piano must also be distinguished from a perceptual experience of this same event.

Memory researchers have discussed the relationship between consciousness and memory frequently in the last few decades. Beginning with research by Warrington and Weiskrantz (1968; 1970), memory has been shown to influence task performance even without awareness of retrieval. Data from amnesic patients show that a study episode influences task performance despite their lack of conscious memory for the study session. More recently, issues of intentionality, awareness, and the relationship between conscious and unconscious forms of memory have come to the forefront. Conscious memory has sometimes been defined by intention to retrieve and sometimes by awareness of retrieval. This distinction has been debated as measurement methodologies have developed. In addition, the functional relationship between conscious and automatic forms of memory has implications for measurement of memory processes and the development of models of memory task performance. Several measurement techniques for conscious and automatic memory are reviewed. The current state of these issues is also discussed.