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Human Beauty 3. Natural Beauty 4. Everyday Beauty 5. Artistic Beauty 6. Taste and Order 7. Eros and Art 8. Sacred Beauty Notes and Further Reading.

Plotinus (205-269 AD) led the philosophical movement of Neoplatonism, which reinterpreted Plato's thought later in antiquity and went on to become a dominant force in the history of ideas. Emilsson's in-depth study of Plotinus' central doctrine of Intellect caters for the increasing interest in Plotinus with philosophical clarity and rigor.

Plotinus’s theory of dual selfhood has ethical norms built into it, all of which derive from the ontological superiority of the higher (or undescended) soul in us overthe body-soul compound. The moral life, as it is presented in the Enneads, is a life of self-perfection, devoted to the care of the higher self. Such a conception of morality is prone to strike modern readers as either ‘egoistic’ or unduly austere. If there is no doubt that Plotinus’s ethics is exceptionally austere, it will be argued below that it is not ‘egoistic.’ To that effect, the following questions will be addressed: Are the virtues, civic as well as purificatory, mere means to Plotinus’s metaphysically conceived ethical goal? To what extent must the lower self abnegate itself so as to enable the higher self to ascend to Intellect and beyond? And if self-perfection lies at the centre of the Plotinian moral life, is there any conceptual room left in it for other-regarding norms of conduct? A close reading of selected passages from Plotinus’s tractate I.2[19] On Virtues and tractate VI.8[39] On Free Will and the Will of the One will, it is claimed, bring elements of answer to these questions.

Ancient Greek Philosophy routinely relied upon concepts of number to explain the tangible order of the universe. Plotinus' contribution to this tradition, however, has been often omitted, if not ignored. The main reason for this, at first glance, is the Plotinus does not treat the subject of number in the Enneads as pervasively as the Neopythagoreans or even his own successors Lamblichus, Syrianus, and Proclus. Nevertheless, a close examination of the Enneads reveals that Plotinus systematically discusses number in relation to each of his underlying principles of existence--the One, Intellect, and Soul. Plotinus on Number offers the first comprehensive analysis of Plotinus' concept of number, beginning with its origins in Plato and the Neopythagoreans and ending with its influence on Porphyry's arrangement of the Enneads. It's main argument is that Plotinus adapts Plato's and the Neopythagoreans' cosmology to place number in the foundation of the intelligible realm and in the construction of the universe. Through Plotinus' defense of Plato's Ideal Numbers from Aristotle's criticism, Svetla Slaveva-Griffin reveals the founder of Neoplatonism as the first post-Platonic philosopher who purposefully and systematically develops what we may call a theory of number, distinguishing between number in the intelligible realm and number in the quantitative, mathematical realm. Finally, the book draws attention to Plotinus' concept as a necesscary and fundamental linke between Platonic and late Neoplatonic schools of philosophy.

The origin of matter is one of the last and greatest unsolved mysteries bedevilling modern attempts at understanding the philosophy of the "Enneads." There are two stages in the production of Intellect and of soul. The One or Intellect produces an undifferentiated other, which becomes Intellect or soul by itself turning towards and looking towards the prior principle, with no possibility of the One's "turning towards" or "seeing" itself. But where does matter come from? To arrive at his conception of matter, Plotinus has radically altered the definitions of non-being given by Plato and Aristotle in their refutation of Parmenides. Matter, for Plotinus, is a non-being opposed, not to "the being of each thing", as in Plato's "Sophist," but to all "the beings properly so-called", i.e. to all the forms. It is then further identified with Aristotle's definition of non-being as privation, with the crucial difference that privation, for Plotinus, is made a permanent substratum of change. This re-formulation of ideas from the "Sophist" and the "Physics" proves unmistakably that it is matter which is generated when soul produces a "non-being" which is also a "total lack of definition". The production of matter by soul does not, however, follow the model of the production of Intellect from the One or of soul from Intellect. Since matter is lifeless, it cannot turn towards its source. Soul therefore has to be herself directly responsible both for the production of matter and for the covering of matter with form. Matter is therefore included among the products which stem ultimately from the One. But the origin and the nature of matter have to be understood as very different from the double process of emanation which lies at the origin of Intellect and of soul.

The origin of matter is one of the last and greatest unsolved mysteries bedevilling modern attempts at understanding the philosophy of the "Enneads." There are two stages in the production of Intellect and of soul. The One or Intellect produces an undifferentiated other, which becomes Intellect or soul by itself turning towards and looking towards the prior principle, with no possibility of the One's "turning towards" or "seeing" itself. But where does matter come from? To arrive at his conception of matter, Plotinus has radically altered the definitions of non-being given by Plato and Aristotle in their refutation of Parmenides. Matter, for Plotinus, is a non-being opposed, not to "the being of each thing", as in Plato's "Sophist," but to all "the beings properly so-called", i.e. to all the forms. It is then further identified with Aristotle's definition of non-being as privation, with the crucial difference that privation, for Plotinus, is made a permanent substratum of change. This re-formulation of ideas from the "Sophist" and the "Physics" proves unmistakably that it is matter which is generated when soul produces a "non-being" which is also a "total lack of definition". The production of matter by soul does not, however, follow the model of the production of Intellect from the One or of soul from Intellect. Since matter is lifeless, it cannot turn towards its source. Soul therefore has to be herself directly responsible both for the production of matter and for the covering of matter with form. Matter is therefore included among the products which stem ultimately from the One. But the origin and the nature of matter have to be understood as very different from the double process of emanation which lies at the origin of Intellect and of soul.

Table of contents - Beauty; The Intelligence, The Ideas, and Being; The Descent of the Soul; The Good or the One; The Three Primal Hypostases; The Post Primals; ...

The essay first succinctly points out shortcomings in previous interpretations of Plotinus’ notion of beauty. Beauty is to be connected primarily with Intellect, which is to be understood as a special unity in diversity. The section of the essay devoted to aesthetics is therefore preceded by a short analysis of Intellect’s unity and diversity. The hypothesis about the primary relation of beauty to the Intellect is then corroborated by a reading of Ennead V.8 and further developed. The emphasis is on three basic aspects of beauty: its being a unity of a mixture whose character is shared by all ontological levels; its function of referring to what is above it; and its fundamental accessibility. Though Plotinus opposes the Stoic notion of beauty as symmetry and stresses beauty’s simplicity, it follows for him that beauty has the character of unitas multiplex, albeit a special one.

The status of beauty in Plotinus' metaphysics is unclear: is it a Form in Intellect, the Intelligible Principle itself, or the One? Basing themselves on a number of well-known passages in the "Enneads," and assuming that Plotinus' Forms are similar in function and status to Plato's, many scholars hold that Plotinus theorized beauty as a determinate entity in Intellect. Such assumptions, it is here argued, lead to difficulties over self-predication, the interpretation of Plotinus's rich and varied aesthetic terminology and, most of all, the puzzling dearth of references, in the whole of the "Enneads," to a Form of Beauty. A detailed reading of VI.7.32 and 33 reveals that, in these two crucial passages at least, Plotinus adopts an aesthetic approach to the One and that, far from confining Beauty to Intellect, he equates the One, the Good and the Beautiful. This reading is here supported not only by an analysis of the text but also by a consideration of the semantic differences between μορφή and ε[unrepresentable symbol]δος, the inter-relatedness, in Plotinus' philosophy, of the concepts of love and value, and the exclusion of beauty from the πρ[unrepresentable symbol]τα γένη. In turn, the exegesis of VI.7.32 and 33 raises the issue of the significance for aesthetics understood in the narrow sense of the word, of Plotinus's ontology of beauty. It is here claimed that in so far as sensible beauty, both artistic and natural, can be nothing else than an effect of the shaping action of the Forms and a reflection of their radiance, singular or global, it should not be held that Plotinus had an aesthetics in the modern sense of this term.

I shall discuss several related issues about beauty. These are: (1) The place of beauty among other aesthetic properties. (2) The general principle of aesthetic supervenience. (3) The problem of aesthetic relevance. (4) The distinction between free and dependent beauty. (5) The primacy of our appreciation of free beauty over our appreciation of dependent beauty. (6) Personal beauty as a species of beauty. (7) The metaphysics of beauty.