Signs of Music: A Guide to Musical Semiotics
Mouton De Gruyter (2002)
| Abstract | Music is said to be the most autonomous and least representative of all the arts. | |||||||||
| Keywords | Music Semiotics Music Philosophy and aesthetics Symbolism in music | |||||||||
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| Buy the book | $131.49 used (15% off) $146.30 direct from Amazon (5% off) Amazon page | |||||||||
| Call number | ML3845.T348 2002 | |||||||||
| ISBN(s) | 3110172267 9783110172263 | |||||||||
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| Through your library | Configure |
Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
Joscelyn Godwin (1995). Music and the Occult: French Musical Philosophies, 1750-1950. University of Rochester Press.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Eero Tarasti (ed.) (1995). Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Mouton De Gruyter.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
Eero Tarasti, Paul Forsell & Richard Littlefield (eds.) (2003). Musical Semiotics Revisited. International Semiotics Institute.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Eero Tarasti, Paul Forsell & Richard Littlefield (eds.) (1996). Musical Semiotics in Growth. International Semiotics Institute.
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