David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Research in Phenomenology 42 (1):92-113 (2012)
Abstract In Gadamer's later writings on art, his investigation into the being of the work exploits the temporal resonance of the concept of performative enactment ( Vollzug ), which displaces the priority of play ( Spiel ) in his earlier account. Drawing upon Heidegger, Gadamer deploys the concepts of tarrying ( Verweilen ) and the while ( die Weile ) to elucidate the temporality of the work of art as an event of being. On the one hand, tarrying describes the temporal structure of the performance that enables the work to come forth. On the other hand, the while characterizes the unique presence of the work that takes place in and through its enactment. Here Gadamer's understanding of art engages his thought about “empty“ and “fulfilled“ time. For, the temporal event of the artwork is such that it interrupts the ordinary experience of passing time and thereby opens up another, more authentic experience of the fullness of time
|Keywords||hermeneutics time Gadamer aesthetics art event|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Jason C. Robinson (2006). Timeless Temporality. Idealistic Studies 36 (2):97-107.
James Magrini, The Origin of the Work of Art: Historicality, Temporality, and Destiny in Heidegger's Philosophy of the 1930s.
Ingrid Scheibler (2001). Art as Festival in Heidegger and Gadamer. International Journal of Philosophical Studies 9 (2):151 – 175.
Daniel L. Tate (2008). Transforming Mimesis. Epoché: A Journal for the History of Philosophy 13 (1):185-208.
Hans-Georg Gadamer (1986). The Relevance of the Beautiful and Other Essays. Cambridge University Press.
Csaba Olay (2008). Gadamers Hermeneutische Kunstauffassung. Estetika 45 (2):129-155.
Stephen H. Watson (2004). Gadamer, Aesthetic Modernism, and the Rehabilitation of Allegory: The Relevance of Paul Klee. Research in Phenomenology 34 (1):45-72.
Michal Klincewicz (2013). Time, Unity, and Conscious Experience. Dissertation, CUNY Graduate Center
James Magrini (2010). The Work of Art and Truth of Being as “Historical”: Reading Being and Time, “The Origin of the Work of Art,” and the “Turn” in Heidegger’s Philosophy of the 1930s. Philosophy Today 54 (4):346-363.
David Vessey (2007). Gadamer's Theory of Time Consciousness. The Proceedings of the Twenty-First World Congress of Philosophy 12:85-89.
Hans-Georg Gadamer & Hugh J. Silverman (eds.) (1991). Gadamer and Hermeneutics. New York ;Routledge.
Teresa McCormack & Christoph Hoerl (2008). Temporal Decentering and the Development of Temporal Concepts. In P. Indefrey & M. Gullberg (eds.), Time to Speak. Cognitive and Neural Prerequisites of Time in Language. Blackwell
Patricia Altenbernd Johnson (1993). Gadamer. Faith and Philosophy 10 (4):539-552.
Added to index2012-03-13
Total downloads17 ( #147,710 of 1,699,567 )
Recent downloads (6 months)1 ( #362,609 of 1,699,567 )
How can I increase my downloads?