David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Cambridge University Press (2002)
This is the first study to recognise the broad impact of opera in early-modern French culture._Downing A. Thomas considers the use of operatic spectacle and music by Louis XIV as a vehicle for absolutism; the resistance of music to the aesthetic and political agendas of the time; and the long-term development of opera in eighteenth-century humanist culture. He argues that French opera moved away from the politics of the absolute monarchy in which it originated to address Enlightenment concerns with sensibility and feeling. The book combines close readings of significant seventeenth-century and eighteenth-century operatic works, circumstantial writings and theoretical works on theatre and opera, together with a measure of reception history. Thomas examines key works by Lully, Rameau, and Charpentier, among others, and extends his reach from the late seventeenth century to the end of the eighteenth.
|Keywords||Opera Opera Music and state History Enlightenment Music Philosophy and aesthetics|
|Categories||categorize this paper)|
|Buy the book||$64.00 used (58% off) $121.98 new (19% off) $126.00 direct from Amazon (16% off) Amazon page|
|Call number||ML3858.T46 2002|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Kevin Barry (1987). Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge. Cambridge University Press.
Gary Schmidgall (1990). Shakespeare & Opera. Oxford University Press.
Peter Kivy (1993). The Fine Art of Repetition: Essays in the Philosophy of Music. Cambridge University Press.
Siglind Bruhn (2010). Explorations of Universal Order and Beauty in Paul Hindemith's Symphony Die Harmonie der Welt. Nordic Journal of Aesthetics 21 (39).
G. Dammann (2010). Opera and the Limits of Philosophy: On Bernard Williams's Music Criticism. British Journal of Aesthetics 50 (4):469-479.
Peter Kivy (2007). Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford University Press.
Frieder von Ammon (2010). Opera on Opera (on Opera) : Self-Referential Negotiations of a Difficult Genre. In Walter Bernhart & Werner Wolf (eds.), Self-Reference in Literature and Other Media. Rodopi.
Jeremy Tambling (1987). Opera, Ideology, and Film. St. Martin's Press.
Christopher Morris (2002). Reading Opera Between the Lines: Orchestral Interludes and Cultural Meaning From Wagner to Berg. Cambridge University Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Added to index2009-01-28
Total downloads7 ( #195,080 of 1,102,037 )
Recent downloads (6 months)2 ( #192,049 of 1,102,037 )
How can I increase my downloads?