When I open my eyes and look at a Rubik’s cube, there is something it is like for me visually in looking at it. Various color qualities are presented to me, and they are arranged in a specific pattern. By having an experience with this particular phenomenal character I am also thereby visually representing the world outside my experience as being a certain way. If I experience a blue square to the left of a red square, the world outside my experience is represented as being one way. As I turn the cube, and come to view a green square to the left of another green square, I have an experience with a different phenomenal character. But I also come to represent the world differently. In virtue of the difference in phenomenology there is a corresponding difference in how the world is represented as being. Moreover, it seems that any two experiences with the same phenomenal character will share a certain sort of intentional content.1 If two subjects have phenomenally identical experiences, there is an important sense in which the way the world appears to them is precisely the same. I will call this intentional content that supervenes on phenomenal character “phenomenal content”. But how are we to understand this notion of “ways of appearing”? Most philosophers who have acknowledged the existence of phenomenal content have held that the way something appears to a subject is simply a matter of the properties..
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