David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Cambridge University Press (1999)
This challenging study places fiction squarely at the center of the discussion of metaphysics. Philosophers have traditionally treated fiction as involving a set of narrow problems in logic or the philosophy of language. By contrast Amie Thomasson argues that fiction has far-reaching implications for central problems of metaphysics. The book develops an 'artifactual' theory of fiction, whereby fictional characters are abstract artifacts as ordinary as laws or symphonies or works of literature. By understanding fictional characters we come to understand how other cultural and social objects are established on the basis of the independent physical world and the mental states of human beings.
|Keywords||Fictions, Theory of Metaphysics|
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|Call number||BC199.F5.T48 1999|
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Citations of this work BETA
David J. Chalmers (2011). Propositions and Attitude Ascriptions: A Fregean Account. Noûs 45 (4):595-639.
David Braun (2005). Empty Names, Fictional Names, Mythical Names. Noûs 39 (4):596–631.
Francesco Berto (2011). Modal Meinongianism and Fiction: The Best of Three Worlds. Philosophical Studies 152 (3):313-35.
Andrea Sauchelli (2010). Concrete Possible Worlds and Counterfactual Conditionals: Lewis Versus Williamson on Modal Knowledge. Synthese 176 (3):345-359.
Chad Carmichael (2010). Universals. Philosophical Studies 150 (3):373-89.
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