David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Semiotica 156 (1/4):203-227 (2005)
Drawing from ethnographic, empirical, and historical/cultural perspectives, we examine the extent to which visual aspects of music contribute to the communication that takes place between performers and their listeners. First, we introduce a framework for understanding how media and genres shape aural and visual experiences of music. Second, we present case studies of two performances, and describe the relation between visual and aural aspects of performance. Third, we report empirical evidence that visual aspects of performance reliably influence perceptions of musical structure (pitch related features) and affective interpretations of music. Finally, we trace new and old media trajectories of aural and visual dimensions of music, and highlight how our conceptions, perceptions and appreciation of music are intertwined with technological innovation and media deployment strategies
|Keywords||Humanities, Multidisciplinary Lessons Prosody Emotion Speech 380101 Sensory Processes, Perception and Performance C1 780108 Behavioural and cognitive sciences|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
William Forde Thompson & Max Coltheart (2008). The Role of Signal Detection and Amplification in the Induction of Emotion by Music. Behavioral and Brain Sciences 31 (5):597-598.
Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca & Daniel J. Levitin (2011). Music to My Eyes: Cross-Modal Interactions in the Perception of Emotions in Musical Performance. Cognition 118 (2):157-170.
Similar books and articles
Vincent Bergeron & Dominic Mciver Lopes (2009). Hearing and Seeing Musical Expression. Philosophy and Phenomenological Research 78 (1):1-16.
Thomas Carson Mark (2012). Motion, Emotion, and Love: The Nature of Artistic Performance. Gia Publications.
Catherine J. Stevens (2012). Music Perception and Cognition: A Review of Recent Cross‐Cultural Research. [REVIEW] Topics in Cognitive Science 4 (4):653-667.
Jerrold Levinson (1997). Music in the Moment. Cornell University Press.
Stephen Davies (2001). Musical Works and Performances: A Philosophical Exploration. Oxford University Press.
Rita Aiello & John A. Sloboda (eds.) (1994). Musical Perceptions. Oxford University Press.
Peter Kivy (2007). Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford University Press.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Paul Boghossian (2007). Explaining Musical Experience. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Nils-Göran Sundin (1994). Aesthetic Criteria for Musical Interpretation: A Study of the Contemporary Performance of Western Notated Instrumental Music After 1750. University of Jyväskylä.
Stephanie M. Stalinski & E. Glenn Schellenberg (2012). Music Cognition: A Developmental Perspective. Topics in Cognitive Science 4 (4):485-497.
Andrew Hugill (2008). The Digital Musician. Routledge.
Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) (2006). Music, Meaning and Media. University of Helsinki.
Added to index2010-09-19
Total downloads9 ( #159,507 of 1,102,700 )
Recent downloads (6 months)8 ( #29,556 of 1,102,700 )
How can I increase my downloads?