|Abstract||In 1991 Jonathan Demme's The Silence of the Lambs made oﬀ with ﬁve Academy Awards, including the coveted "Best Picture." Merely to introduce this fact I have already had to ignore several potentially relevant questions.  But I will spare you the tedium of endlessly qualifying my choice of subject matter; both existentialism and psychoanalysis teach us that the attempt to get behind our own starting points or render our pasts completely transparent to ourselves is an impossible task. Rather, let me lay my Heideggerian cards on the table up front, brieﬂy outlining the methodological understanding from which I will be working in the rest of this paper.|
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