David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Topics in Cognitive Science 4 (4):568-584 (2012)
Music can be described as sequences of events that are structured in pitch and time. Studying music processing provides insight into how complex event sequences are learned, perceived, and represented by the brain. Given the temporal nature of sound, expectations, structural integration, and cognitive sequencing are central in music perception (i.e., which sounds are most likely to come next and at what moment should they occur?). This paper focuses on similarities in music and language cognition research, showing that music cognition research provides insight into the understanding of not only music processing but also language processing and the processing of other structured stimuli. The hypothesis of shared resources between music and language processing and of domain-general dynamic attention has motivated the development of research to test music as a means to stimulate sensory, cognitive, and motor processes
|Keywords||Shared neural correlates Music and language processing Temporal processing Cognitive expectations Priming Structural integration Expertise Implicit processing|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
Noam Chomsky (1965). Aspects of the Theory of Syntax. The MIT Press.
Fred Lerdahl & Ray Jackendoff (1987). A Generative Theory of Tonal Music. Journal of Aesthetics and Art Criticism 46 (1):94-98.
Edward Gibson (1998). Linguistic Complexity: Locality of Syntactic Dependencies. Cognition 68 (1):1-76.
Angela D. Friederici (2002). Towards a Neural Basis of Auditory Sentence Processing. Trends in Cognitive Sciences 6 (2):78-84.
Rebecca L. Gómez & LouAnn Gerken (2000). Infant Artificial Language Learning and Language Acquisition. Trends in Cognitive Sciences 4 (5):178-186.
Citations of this work BETA
Marcus T. Pearce & Geraint A. Wiggins (2012). Auditory Expectation: The Information Dynamics of Music Perception and Cognition. Topics in Cognitive Science 4 (4):625-652.
Marcus Pearce & Martin Rohrmeier (2012). Music Cognition and the Cognitive Sciences. Topics in Cognitive Science 4 (4):468-484.
Similar books and articles
Patrick Rebuschat, Martin Rohrmeier, John A. Hawkins & Ian Cross (eds.) (2011). Language and Music as Cognitive Systems. OUP Oxford.
Stephanie M. Stalinski & E. Glenn Schellenberg (2012). Music Cognition: A Developmental Perspective. Topics in Cognitive Science 4 (4):485-497.
Catherine J. Stevens (2012). Music Perception and Cognition: A Review of Recent Cross‐Cultural Research. [REVIEW] Topics in Cognitive Science 4 (4):653-667.
Kathleen Marie Higgins (2012). The Music Between Us: Is Music a Universal Language? The University of Chicago Press.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Rita Aiello & John A. Sloboda (eds.) (1994). Musical Perceptions. Oxford University Press.
Ian Cross (2012). Cognitive Science and the Cultural Nature of Music. Topics in Cognitive Science 4 (4):668-677.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Suresh Chandra Dey (1990). The Quest for Music Divine. Ashish Pub. House.
Robin Maconie (2002). The Second Sense: Language, Music, & Hearing. Scarecrow Press.
Mark Reybrouck (2005). A Biosemiotic and Ecological Approach to Music Cognition: Event Perception Between Auditory Listening and Cognitive Economy. [REVIEW] Axiomathes 15 (2):229-266.
W. A. Mathieu (2010). Bridge of Waves: What Music is and How Listening to It Changes the World. Shambhala.
Andrew Kania, The Philosophy of Music. Stanford Encyclopedia of Philosophy.
Added to index2012-07-04
Total downloads29 ( #106,512 of 1,725,168 )
Recent downloads (6 months)10 ( #64,836 of 1,725,168 )
How can I increase my downloads?