David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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Topics in Cognitive Science 4 (4):568-584 (2012)
Music can be described as sequences of events that are structured in pitch and time. Studying music processing provides insight into how complex event sequences are learned, perceived, and represented by the brain. Given the temporal nature of sound, expectations, structural integration, and cognitive sequencing are central in music perception (i.e., which sounds are most likely to come next and at what moment should they occur?). This paper focuses on similarities in music and language cognition research, showing that music cognition research provides insight into the understanding of not only music processing but also language processing and the processing of other structured stimuli. The hypothesis of shared resources between music and language processing and of domain-general dynamic attention has motivated the development of research to test music as a means to stimulate sensory, cognitive, and motor processes
|Keywords||Shared neural correlates Music and language processing Temporal processing Cognitive expectations Priming Structural integration Expertise Implicit processing|
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Citations of this work BETA
Arianna N. LaCroix, Alvaro F. Diaz & Corianne Rogalsky (2015). The Relationship Between the Neural Computations for Speech and Music Perception is Context-Dependent: An Activation Likelihood Estimate Study. Frontiers in Psychology 6.
Marcus T. Pearce & Geraint A. Wiggins (2012). Auditory Expectation: The Information Dynamics of Music Perception and Cognition. Topics in Cognitive Science 4 (4):625-652.
Marcus Pearce & Martin Rohrmeier (2012). Music Cognition and the Cognitive Sciences. Topics in Cognitive Science 4 (4):468-484.
Joris Van de Cavey & Robert J. Hartsuiker (2016). Is There a Domain-General Cognitive Structuring System? Evidence From Structural Priming Across Music, Math, Action Descriptions, and Language. Cognition 146:172-184.
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