David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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British Journal of Aesthetics 44 (3):277-296 (2004)
My primary aim in this paper is to outline a quasi-realist theory of aesthetic judgement. Robert Hopkins has recently argued against the plausibility of this project because he claims that quasi-realism cannot explain a central component of any expressivist understanding of aesthetic judgements, namely their supposed ‘autonomy’. I argue against Hopkins’s claims by contending that Roger Scruton’s aesthetic attitude theory, centred on his account of the imagination, provides us with the means to develop a plausible quasi-realist account of aesthetic judgement. Finally, I respond to two recent attempts to discredit the validity of the notion of aesthetic autonomy. I claim that both fail adequately to address the underlying non-realist motivations and justifications for maintaining the principle.
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Citations of this work BETA
Jon Robson (2012). Aesthetic Testimony. Philosophy Compass 7 (1):1-10.
Jon Robson (2015). Aesthetic Testimony and the Norms of Belief Formation. European Journal of Philosophy 23 (3):750-763.
Neil Sinclair (2009). Recent Work in Expressivism. Analysis 69 (1):136-147.
Rafael De Clercq (2008). The Structure of Aesthetic Properties. Philosophy Compass 3 (5):894-909.
Fabian Dorsch (2007). Sentimentalism and the Intersubjectivity of Aesthetic Evaluations. Dialectica 61 (3):417-446.
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