Flaubert and the Pictorial Arts: From Image to Text
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Oup Oxford (2000)
Flaubert is a major writer, as popular in England as he is in France, and of an enduring fascination. This book examines his responses to pictorial art, from classical to popular, Eastern to Western, traditional to modern. Rival and foil, pictorial art emerges as one of the most powerful driving forces behind his own work
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Paul Crowther (2008). Pictorial Space and the Possibility of Art. British Journal of Aesthetics 48 (2):175-192.
Paul Crowther (2002). The Transhistorical Image: Philosophizing Art and its History. Cambridge University Press.
Katerina Bantinaki (2007). Pictorial Perception as Illusion. British Journal of Aesthetics 47 (3):268-279.
Paul Crowther (2007). Defining Art, Creating the Canon: Artistic Value in an Era of Doubt. Oxford University Press.
Flint Schier (1986). Deeper Into Pictures: An Essay on Pictorial Representation. Cambridge University Press.
Catharine Abell (2007). Pictorial Realism. Australasian Journal of Philosophy 85 (1):1 – 17.
John Michael McGuire (1999). Pictorial Metaphors: A Reply to Sedivy. Metaphor and Symbol 14 (4):293-302.
Oliver R. Scholz (1993). When is a Picture? Synthese 95 (1):95 - 106.
Helen Knight (1930). Aesthetic Experience in Pictorial Art. The Monist 40 (1):74-83.
Frédéric Gosselin & Philippe G. Schyns (2002). You Are About to See Pictorial Representations! Behavioral and Brain Sciences 25 (2):191-192.
Tara H. Abraham (2003). From Theory to Data: Representing Neurons in the 1940s. [REVIEW] Biology and Philosophy 18 (3):415-426.
John Hyman (2003). Subjectivism in the Theory of Pictorial Art. The Monist 86 (4):676 - 701.
Catherine Z. Elgin (1993). Understanding: Art and Science. Synthese 95 (1):196-208.
Sorry, there are not enough data points to plot this chart.
Added to index2012-01-31
Recent downloads (6 months)0
How can I increase my downloads?