History and the ontology of the musical work
Journal of Aesthetics and Art Criticism 51 (3):483-497 (1993)
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James Young (2011). The Ontology of Musical Works: A Philosophical Pseudo-Problem. Frontiers of Philosophy in China 6 (2):284-297.
Christopher Bartel (2011). Music Without Metaphysics? British Journal of Aesthetics 51 (4):383-398.
A. Kania (2012). In Defence of Higher-Order Musical Ontology: A Reply to Lee B. Brown. British Journal of Aesthetics 52 (1):97-102.
Andrew Kania (2008). The Methodology of Musical Ontology: Descriptivism and its Implications. British Journal of Aesthetics 48 (4):426-444.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Stefano Predelli (2006). The Sound of the Concerto. Against the Invariantist Approach to Musical Ontology. British Journal of Aesthetics 46 (2):144-162.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Ben Caplan & Carl Matheson (2004). Can a Musical Work Be Created? British Journal of Aesthetics 44 (2):113-134.
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