Music and the Historical Imagination
Harvard University Press (1989)
| Abstract | In this elegant book he develops a powerful statement of what music analysis and criticism in relation to historical understanding can be. | |||||||||
| Keywords | Music Philosophy and aesthetics Music History and criticism | |||||||||
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| Buy the book | $37.92 new (8% off) $41.00 direct from Amazon Amazon page | |||||||||
| Call number | ML3845.T77 1989 | |||||||||
| ISBN(s) | 0674591291 9780674591295 | |||||||||
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| Through your library | Configure |
Karl-Olof Edström (2007). A Different Story: Aesthetics and the History of Western Music. Pendragon Press.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Rita Steblin (2002). A History of Key Characteristics in the Eighteenth and Early Nineteenth Centuries. University of Rochester Press.
Christopher Norris (ed.) (1989). Music and the Politics of Culture. St. Martin's Press.
Carl Dahlhaus (1989). The Idea of Absolute Music. University of Chicago Press.
Kevin Barry (1987). Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge. Cambridge University Press.
Iannis Xenakis (1971). Formalized Music. Bloomington,Indiana University Press.
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