Graduate studies at Western
British Journal of Aesthetics 42 (1):73-82 (2002)
|Abstract||I criticize Julian Dodd's Platonist conception of musical works as discovered eternal types, and defend and elaborate upon Jerrold Levinson's conception of musical works as creatable indicated types. I raise broadly three sorts of worries for Dodd. First, I argue that Dodd conflates types with Platonist universals in claiming that types are eternal and discovered. Secondly, I raise worries for Dodd's Platonist claim that musical works are discovered not created. Here I argue that Dodd's claim goes against our current musical practice. I then argue that Dodd's view leads to a false divide across the arts, and defend this claim from Dodd's criticisms. I also defend the claim that Dodd's view robs artists of the special status we give to them as creators, not merely creative discoverers. I suggest also that musical works can not only be created but can also plausibly cease to exist, which Dodd's Platonism would seem to deny. Thirdly and finally, I defend the conception of musical works as indicated types from Dodd's criticisms. Here I argue that Dodd's view is ontologically profligate. I also submit that Dodd is mistaken in thinking that indicated types have times as their constituents and thus must be events.|
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
|Through your library||Configure|
Similar books and articles
Julian Dodd (2004). Types, Continuants, and the Ontology of Music. British Journal of Aesthetics 44 (4):342-360.
Saam Trivedi (2008). Music and Metaphysics. Metaphilosophy 39 (1):124–143.
J. Dodd (2000). Musical Works as Eternal Types. British Journal of Aesthetics 40 (4):424-440.
Ben Caplan & Carl Matheson (2006). Defending Musical Perdurantism. British Journal of Aesthetics 46 (1):59-69.
Stephen Davies (2007). Musical Ontology. Sounds, Instruments and Works of Music / Julian Dodd ; Doing Justice to Musical Works / Michael Morris ; Versions of Musical Works and Literary Translations. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Robert Howell (2002). Types, Indicated and Initiated. British Journal of Aesthetics 42 (2):105-127.
Julian Dodd (2007). Works of Music: An Essay in Ontology. Oxford University Press.
Julian Dodd (2002). Defending Musical Platonism. British Journal of Aesthetics 42 (4):380-402.
Added to index2009-01-28
Total downloads24 ( #57,855 of 739,324 )
Recent downloads (6 months)1 ( #61,243 of 739,324 )
How can I increase my downloads?