Orpheus
New York, E.P. Dutton & Co. (1926)
| Abstract | This article has no associated abstract. (fix it) | |||||||||
| Keywords | Music Philosophy and aesthetics | |||||||||
| Categories | ||||||||||
| Call number | ML3880.T8 | |||||||||
| ISBN(s) | ||||||||||
| Options |
|
|||||||||
Download options| PhilPapers Archive |
Upload a copy of this paper Check publisher's policy on self-archival Papers currently archived: 5,653 |
| External links | This entry has no external links. Add one. |
| Through your library | Configure |
Similar books and articlesHwa Yol Jung (1981). The Orphic Voice and Ecology. Environmental Ethics 3 (4):329-340.
Lydia Goehr (1998/2002). The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures. Oxford University Press.
Kevin Barry (1987). Language, Music, and the Sign: A Study in Aesthetics, Poetics, and Poetic Practice From Collins to Coleridge. Cambridge University Press.
Karl-Olof Edström (2007). A Different Story: Aesthetics and the History of Western Music. Pendragon Press.
Carolyn Beckingham (2009). Moribund Music: Can Classical Music Be Saved? Sussex Academic Press.
Jenefer Robinson (ed.) (1997). Music & Meaning. Cornell University Press.
Jonathan Cross (ed.) (2004). Identity and Difference: Essays on Music, Language, and Time. Leuven University Press.
Analytics
Monthly downloads
Sorry, there are not enough data points to plot this chart.
|
Added to index2010-05-14Total downloads0Recent downloads (6 months)0How can I increase my downloads? |
My notes
Discussion
