Pictorial depth: Intensity and aesthetic surface [Book Review]
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
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Axiomathes 15 (1):1-28 (2005)
Philosophers seldom ask questions regarding how certain phenomena occur, because such questions tend to be the province of the sciences or of technology. However, the question how pictures have depth requires philosophical reflection because it takes place on the surface of pictorial objects and involves both physical and phenomenal, i.e. aesthetic, features of those surfaces. This essay examines how pictures have depth by first separating the aesthetic question from interpretive considerations, and thereby refining the question how pictures have depth. Next it explicates two sorts of conceptual tools required to understand the question: several complex concepts needed to understand surfaces, and the concept of intensity. These are then used to understand how pictures can have depth by showing how intensities produce both an aesthetic surface and depth within it.
|Keywords||aesthesis depth intensity surfaces ontology|
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References found in this work BETA
Gilles Deleuze (1994). Difference and Repetition. Athlone Press.
Immanuel Kant (2007/1991). Critique of Pure Reason. In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Late Modern Philosophy: Essential Readings with Commentary. Blackwell Pub. Ltd..
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