Visual qualia and visual content revisited
David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jack Alan Reynolds
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In David J. Chalmers (ed.), Philosophy of Mind: Classical and Contemporary Readings. Oxford University Press (2002)
Experiences vary widely. For example, I run my fingers over sandpaper, smell a skunk, feel a sharp pain in my finger, seem to see bright purple, become extremely angry. In each of these cases, I am the subject of a mental state with a very distinctive subjective character. There is something it is _like_ for me to undergo each state, some phenomenology that it has. Philoso- phers often use the term 'qualia' to refer to the introspectively accessible properties of experiences that characterize what it is like to have them. In this standard, broad sense of the term, it is very difficult to deny that there are qualia. There is another, more restricted use of the term.
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Wayne Wu (2011). What is Conscious Attention? Philosophy and Phenomenological Research 82 (1):93-120.
Simon Prosser (2012). Why Does Time Seem to Pass? Philosophy and Phenomenological Research 85 (1):92-116.
Simon Prosser (2013). Passage and Perception. Noûs 47 (1):69-84.
Mihnea D. I. Capraru (2015). Stained Glass as a Model for Consciousness. Philosophical Explorations 18 (1):90-103.
Athanassios Raftopoulos & Vincent C. Müller (2006). The Phenomenal Content of Experience. Mind and Language 21 (2):187-219.
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