David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Ezio Di Nucci
Jonathan Jenkins Ichikawa
Jack Alan Reynolds
Learn more about PhilPapers
Music Analysis 27 (1):1-49 (2008)
Efficient voice leading, in which melodic lines move by short distances from chord to chord, is a hallmark of many different Western musical styles. Although musicians can often find maximally efficient voice leadings with relative ease, theorists have not adequately described general principles or procedures for doing so. This article formalises the notion of voice leading, shows how to classify voice leadings according to transpositional and inversional equivalence and supplies algorithms for identifying maximally efficient voice leadings between arbitrarily chosen chords. The article also includes analytical and theoretical discussions of neo-Riemannian theory, the 'tritone substitution' in contemporary jazz, the music of Wagner and Debussy, the relation between harmony and counterpoint and the connections between scale theory and serial theory.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
J. David Velleman (1999). The Voice of Conscience. Proceedings of the Aristotelian Society 99 (1):57–76.
Carol Gilligan (1995). Hearing the Difference: Theorizing Connection. Hypatia 10 (2):120 - 127.
Gerdien Vries, Karen A. Jehn & Bart W. Terwel (2012). When Employees Stop Talking and Start Fighting: The Detrimental Effects of Pseudo Voice in Organizations. [REVIEW] Journal of Business Ethics 105 (2):221-230.
Linda Fisher (2010). Feminist Phenomenological Voices. Continental Philosophy Review 43 (1):83-95.
Adriana Cavarero (2005). For More Than One Voice: Toward a Philosophy of Vocal Expression. Stanford University Press.
Paul Moran & Mark Murphy (2012). Habermas, Pupil Voice, Rationalism, and Their Meeting with Lacan's Objet Petit A. Studies in Philosophy and Education 31 (2):171-181.
Naomi Hodgson (2011). Citizenship and Scholarship in Emerson, Cavell and Foucault. Ethics and Education 6 (1):85 - 100.
Ira J. Cohen & Mary F. Rogers (1994). Autonomy and Credibility: Voice as Method. Sociological Theory 12 (3):304-318.
Added to index2009-01-28
Total downloads9 ( #438,639 of 1,902,524 )
Recent downloads (6 months)1 ( #452,252 of 1,902,524 )
How can I increase my downloads?