Technology and Culture, the Film Reader
Andrew Utterson (ed.)
Routledge (2005)
| Abstract | The relationship between cinema and technology is a complex and fascinating one. Andrew Utterson brings together key theoretical texts spanning more than a century of writing. He begins by investigating cinema as technology or as an interconnected series of technologies, then goes on to examine the technological history of cinema within a much broader context: as one element in a sustained period of technological expansion, cinematic or otherwise, and its impact on the wider world. Rather than seeing technologies in traditional mechanical terms, this reader explores by way of the moving image the various cultural, social, political, economic and ideological dimensions that are essential to an understanding of technology. Students taking courses on cinema and media technologies will find this an ideal introduction to the wealth of writing and research in the field. | |||||||||
| Keywords | Motion pictures Philosophy Cinematography Social aspects Culture in motion pictures | |||||||||
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| Buy the book | $107.03 new (24% off) $140.00 direct from Amazon Amazon page | |||||||||
| Call number | PN1995.T347 2005 | |||||||||
| ISBN(s) | 9780415319843 | |||||||||
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| Through your library | Configure |
Yvette Bíró (1982). Profane Mythology: The Savage Mind of the Cinema. Indiana University Press.
Paul Willemen (1994). Looks and Frictions: Essays in Cultural Studies and Film Theory. British Film Institute.
John David Rhodes & Elena Gorfinkel (eds.) (2011). Taking Place: Location and the Moving Image. University of Minnesota Press.
Veijo Hietala (1990). Situating the Subject in Film Theory: Meaning and Spectatorship in Cinema. Distributor, Akateeminen Kirjakauppa.
Noël Carroll (2008). The Philosophy of Motion Pictures. Blackwell Pub..
Richard De Canio (1994). Cinematic Readings: A Primer of Film Culture. Chiu Yo Pub. House.
Patricia Pisters (2012). The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture. Stanford University Press.
Richard Taylor & Boris Mikhaĭlovich Ėĭkhenbaum (eds.) (1982). The Poetics of Cinema. Rpt Publications in Association with Dept. Of Literature, University of Essex.
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