David Bourget (Western Ontario)
David Chalmers (ANU, NYU)
Rafael De Clercq
Jack Alan Reynolds
Learn more about PhilPapers
Estetika 45 (1):24-40 (2008)
Roger Scruton’s ontology of sound is found wanting on two counts. Scruton removes from music the importance of the performer’s manipulating of his instrument. This misconceives the phenomenology of hearing and, as a consequence, impoverishes our understanding of music. I argue that the musician’s manipulations can be heard in the music; and, in a discussion of notions developed by Richard Wollheim and Jerrold Levinson, that these manipulations have psychological reality, and that it is this psychological reality which brings to life the sui generis musical persona of musical expressiveness.
|Keywords||No keywords specified (fix it)|
|Categories||categorize this paper)|
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
|Through your library|
References found in this work BETA
No references found.
Citations of this work BETA
No citations found.
Similar books and articles
Jerrold Levinson (1997). Music in the Moment. Cornell University Press.
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
Donald Callen (1983). Transfiguring the Emotions in Music. Grazer Philosophische Studien 19:69-91.
Roger Scruton (2004). Wittgenstein and the Understanding of Music. British Journal of Aesthetics 44 (1):1-9.
Alessandro Arbo (2009). Some Remarks on “Hearing-as” and its Role in the Aesthetics of Music. Topoi 28 (2):97-107.
Peter Kivy (2007). Music, Language, and Cognition: And Other Essays in the Aesthetics of Music. Oxford University Press.
Joseph Nathan Straus (2011). Extraordinary Measures: Disability in Music. Oxford University Press.
Aaron Ridley (2007). Musical Expression. Expression in Music / Derek Matravers ; Explaining Musical Experience / Paul Boghossian ; Persona Sometimes Grata : On the Appreciation of Expressive Music. In Kathleen Stock (ed.), Philosophers on Music: Experience, Meaning, and Work. Oxford University Press.
Michael Talbot (ed.) (2000). The Musical Work: Reality or Invention? Liverpool University Press.
Roger Scruton (1999). The Aesthetics of Music. Oxford University Press.
Jonathan A. Neufeld (2009). Musical Formalism and Political Performances. Contemporary Aeshetics 7.
Stephen Davies (2001). Musical Works and Performances: A Philosophical Exploration. Oxford University Press.
Nick Zangwill (2010). Scruton's Musical Experiences. Philosophy 85 (1):91-104.
Andrew Kania (2008). Piece for the End of Time: In Defence of Musical Ontology. British Journal of Aesthetics 48 (1):65-79.
Added to index2011-04-07
Total downloads17 ( #96,069 of 1,098,886 )
Recent downloads (6 months)4 ( #79,596 of 1,098,886 )
How can I increase my downloads?