Expression as Success. The Psychological Reality of Musical Performance

Estetika 45 (1):24-40 (2008)
Abstract
Roger Scruton’s ontology of sound is found wanting on two counts. Scruton removes from music the importance of the performer’s manipulating of his instrument. This misconceives the phenomenology of hearing and, as a consequence, impoverishes our understanding of music. I argue that the musician’s manipulations can be heard in the music; and, in a discussion of notions developed by Richard Wollheim and Jerrold Levinson, that these manipulations have psychological reality, and that it is this psychological reality which brings to life the sui generis musical persona of musical expressiveness.
Keywords No keywords specified (fix it)
Categories (categorize this paper)
Options
 Save to my reading list
Follow the author(s)
My bibliography
Export citation
Find it on Scholar
Edit this record
Mark as duplicate
Revision history Request removal from index
 
Download options
PhilPapers Archive


Upload a copy of this paper     Check publisher's policy on self-archival     Papers currently archived: 12,068
External links
Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library
References found in this work BETA

No references found.

Citations of this work BETA

No citations found.

Similar books and articles
Erich Sorantin (1932). The Problem of Musical Expression. Nashville, Tenn.,Marshall & Bruce Co..
Donald Callen (1983). Transfiguring the Emotions in Music. Grazer Philosophische Studien 19:69-91.
Analytics

Monthly downloads

Added to index

2011-04-07

Total downloads

17 ( #103,143 of 1,101,859 )

Recent downloads (6 months)

3 ( #128,836 of 1,101,859 )

How can I increase my downloads?

My notes
Sign in to use this feature


Discussion
Start a new thread
Order:
There  are no threads in this forum
Nothing in this forum yet.